Culture

SUBTITLE: COLGATE MAN SAVES DARTMOUTH MAN:

The Origin Story of Rudolph the Red-Nosed Reindeer: How a 1939 Marketing Gimmick Launched a Beloved Christmas Character (Open Culture, 12/13/23)

The magic ingredient that transformed a marketing scheme into an evergreen if not universally beloved Christmas tradition is a song …with an unexpected side order of corporate generosity.

May’s wife died of cancer when he was working on Rudolph, leaving him a single parent with a pile of medical bills. After Montgomery Ward repeated the Rudolph promotion in 1946, distributing an additional 3,600,000 copies, its Board of Directors voted to ease his burden by granting him the copyright to his creation.

Once he held the reins to the “most famous reindeer of all”, May enlisted his songwriter brother-in-law, Johnny Marks, to adapt Rudolph’s story.

The simple lyrics, made famous by singing cowboy Gene Autry’s 1949 hit recording, provided May with a revenue stream and Rankin/Bass with a skeletal outline for its 1964 stop-animation special.

THE TRUTH WAS OUT THERE:

People have been searching for this song from ‘The X-Files’ for 25 years. Until now (Erika Ryan, DECEMBER 13, 2023, ALL THINGS CONSIDERED)

It was in an episode from 1998 — season 6, episode 5, titled Dreamland II — that was the second part of a storyline where special agent Fox Mulder swaps bodies with an Area 51 employee. The scene in question takes place at a bar in Nevada where a country-western love song plays in the background.

Ancona said the lyrics were what grabbed her attention.

“The lyrics were so specific that, you know, they could obviously be interpreted as if they were singing to or about an alien or some extraterrestrial life or something that isn’t human,” she said.

Ancona tried an app on her phone to identify it. Nothing. When she looked up the lyrics, she came across other X-Files fans who had been searching for the same song – a mystery that had gone unsolved for 25 years.

She posed the question on X (formerly known as Twitter) and it exploded. Within days, Ancona got her answer.

just had the weirdest experience

was watching an X-files episode & there’s this country song playing in the background of the bar they’re in

& it’s so good it jars me out of my idle multitasking to Shazam it

except

— auntie cistamine (@laurenancona) December 5, 2023


Composer Rob Cairns came across the viral post and reached out to his friend who just so happened to be the co-writer behind that song, Dan Marfisi.

“He said, ‘You might want to check out this Twitter thread, and if you jump in, you will be a hero,'” Marfisi told NPR. “So I went and got my cape, and I logged on, and it was a party.”

IT’S CALLED MORALIZING FOR A REASON:

The Biggest Root Cause of Crime Is Fatherlessness (Jason L. Riley, Dec. 12, 2023, WSJ)


A new academic paper from the Institute for Family Studies doesn’t deny that economic conditions play a role in criminal behavior. And co-authors Rafael Mangual, Brad Wilcox, Joseph Price and Seth Cannon write that “changes in law-enforcement and the prosecution of criminals have also had a hand in the recent uptick in violent crime in American cities.” The paper’s main argument, however, is that family instability may be the biggest factor of all and that it’s not receiving the attention it deserves.

“Cities are safer when two-parent families are dominant and more crime-ridden when family instability is common,” the authors write. Nationwide, the total crime rate is about 48% higher in cities “that have above the median share of single-parent families, compared to cities that have fewer single-parent families.” Even when controlling for variables such as race, income and educational attainment, “the association between family structure and total crime rates, as well as violent crime rates, in cities across the United States remains statistically significant.”

Having a father around, the authors note, is about more than an additional paycheck. Fathers teach their sons responsibility, self-control, how to carry themselves, how to treat women. They tend to be more effective disciplinarians, and their involvement in childrearing is linked to positive outcomes in the academic development of their children, “especially in mathematics and verbal skills.” That finding “has been established for both sons and daughters but, unsurprisingly, it is especially pronounced among boys. The presence of married fathers is also protective against school suspensions and expulsions, as well as the risk of dropping out of high school.”

Between 1960 and 2019, the percentage of babies in the U.S. born to unwed mothers grew from 5% to almost 50%. “Shifts from the late-1960s to the 1990s away from stable families have left some cities, and especially some neighborhoods, vulnerable to higher rates of crime, especially violent crime,” the study concludes. “We need to realign material and cultural incentives in our cities to favor marriage and stable families, not undercut them.”

Morality works.

KNOWINGNESS:


Rick Rubin on taking communion with Johnny Cash and why goals can hurt creativity (Rachel Martin, 12/10/23, NPR: Enlighten Me with Rachel Martin)

Martin: Do you believe in God?

Rubin: Yes.

Martin: You do?

Rubin: Yes, yes, yes. Yes. I have a knowingness that there is a power greater than us that seems to animate everything. That’s how I would describe it. However this system works, this world that we’re in, this universe that we’re in, however it works, I don’t think it’s accidental.

I feel like there’s some creative energy behind it. We have help. When we’re making something beautiful, we have help. We’re not working alone.

Martin: I read that when you were producing Johnny Cash, near the end of his life, with his last albums, that you took communion with him. That was something that was important to him and you were enthusiastic about it.

Rubin: From the time he got sick, we did it every day. I said, “I’ve never done communion.” And he’s like, “Oh, it’s a beautiful practice. Let’s do it together.” And then we did it together in person the first time. And then I said, “Well, while you’re sick, should we just continue doing it every day?” And he’s like, “Great, let’s do it.”

So we started doing it every day. And then when we weren’t together, I would call him every day and he would say the words, and I would close my eyes. I didn’t have the wafer physically with me, but I visualized the whole thing. I listened to the words and I experienced it with him every day. And then, when he passed, I could still hear him doing it. And I continued doing it for another six months.

Martin: Wow. I think that would change a person. To do that. Because it’s not like saying a prayer with someone. I mean, it is a highly mystical Christian ritual whereby you imagine the wafer you’re eating is actually the body of Jesus Christ and the grape juice or the wine is the blood.

Rubin: Yes.

Martin: You’re not a Christian.

Rubin: No.

Matin: What effect did that have on you, sharing that with him?

Rubin: I’m a believer. And I got to share it with him, and he was a believer. And this was his way of believing. So I got to experience his way of believing with him. And it was beautiful and I truly believe it enriched my life. It’s not calculable how powerful it felt.

HAPPY CHANUKKAH:

VIDEO: The LeeVees: Tiny Desk Concert (Bob Boilen, 12/07/23, NPR: Tiny Desk Concert)

The LeeVees’ first advice for this Tiny Hanukkah party is to loosen up, as the band asks the age-old question I’ve been wondering my entire life: “How Do You Spell Channukkahh?” We also hear about one of the great debates I grew up with in Brooklyn Jewish culture, in the song “Applesauce vs. Sour Cream.” There’s much talk about those delicious, oily potato pancakes we feast on this time of year: latkes. As bass player Shawn Fogel says, “This may be the most food ever eaten at a Tiny Desk concert.” I made bagels for the crew, our video producer Maia Stern made yummy kugel and the latkes came from a local deli. There certainly is a more serious side to the festival of lights known as Hanukkah, but celebrating the lighter side felt much needed. Happy “Channukkahh” everyone.

ALWAYS BET ON THE dEEP sTATE:

Frank Capra’s Timeless Vision of American Exceptionalism (Will Sellers, December 2, 2023, AIER)

The strain of populism so ingrained in the lives of Americans is perfectly reflected in Capra’s films. His focus was on the human actions of the silent majority of quiet, everyday people making decisions based on visions of simple moral clarity. He lifted the permanent things so often neglected compared to the temporary glitz and glamour of material gain. Each film contains a large dose of middle-American values magnified time and again against the traps and situations of a complicated impregnable bureaucratic world. And in each case, the little guy wins, and the big mules not only lose face but are publicly shamed into accepting, if not participating in their own defeat.

These films are in many ways a large mirror reflecting not only the tenor of the times but also the implicit impact of human nature struggling for freedom and self-determination. In short, people can see themselves in these films and identify with the characters. Everyone wants to see the characteristics of the white-hatted hero in themselves, but are reminded by conscience that they possess some of the traits of the villain too. Everyone hopes they will make wise and prudent choices when faced with decisions of moral consequence. Everyone in Capra’s films has a shot at redemption, but not every character accepts the offer; the developing conflicts that are resolved in favor of the common man are what make each film so entertaining.

THE CULTURE WARS ARE A ROUT:

‘The Curse’ Is a Vicious, Delicious Parody of Lefty Do-Gooderism (Claire McNear,
Nov. 13th, 2023, The Ringer)

I’d argue that the real tension, however, is in watching the Siegels’ elaborate value system—one that a certain cable news network might be inclined to describe as “woke”—crumple piece by piece. The Siegels represent a richly painted satire of conscientious do-gooderism: Whitney, for example, is the sort of person to sharply correct her husband when he says “homeless” instead of “unhoused” or to use clumsy Spanish to praise the food at a local restaurant.

It’s well meaning—or at least the Siegels think that it is. Much of the joy of The Curse is watching as the pair try and fail to square their bleeding-heart sympathies with the reality that those hearts might not be completely in the right place.

Accepting that you’ve won can be nearly as difficult as accepting loss.

Woke books are a flop with readers (Nick Tyrone, Dec. 4th, 2023, Spiked)


An article in the Daily Mail confirms something many of us have seen coming for a long time. It reveals that scores of woke books published by major houses have been flopping. As it turns out, publishers have been throwing money at books that no one actually wants to buy. It shows that the mantra of ‘go woke, go broke’ applies even in the publishing industry.

The shining example of this is Pageboy, the memoir by Elliot (formerly Ellen) Page, an actor famous for ‘coming out’ as transgender. According to the Mail, Pageboy has sold 68,000 hard copies. That might seem like a lot of books, but context is important here. Selling 68,000 copies would have a small indie publisher popping open the champagne. But for a huge house like Macmillan, which published Pageboy earlier this year, these kinds of numbers are embarrassing.

Crucially, Page was given a $3million advance for Pageboy. As a rough estimate, Macmillan would have needed to sell about 500,000 copies to break even. I’m being generous here, and probably vastly underestimating the promotional budget for the book – another huge additional cost. An advance of that amount tells you the publisher thought the book was going to sell millions. Yet all available sources point heavily to the fact it has not.

Publishing is now littered with these kinds of stories.

MAGA is going to need help untwisting their panties.