Culture

…AND THEN THE FACTS PUNCH YOU IN THE MOUTH:

Standardized Tests Don’t Deserve Our Hate (Aidan Muller, January 16, 2024, The Dartmouth)

Until recently, I advocated strongly for the permanent adoption of test-optional admissions and even went so far as to support test-blind admissions. However, empirical evidence does not always echo our feelings — especially about something like test-taking — and what we want is not always what’s good for us. The reality is that standardized tests are actually useful tools for admissions.

A recently published New York Times article by David Leonhardt — which draws on research from Dartmouth’s own Richard S. Braddock 1963 economics professor Bruce Sacerdote ’90 and associate sociology professor Michele Tine — highlights evidence that standardized test scores are better indicators of predicting college grades, chances of graduation and post-college success than high school grades and may also increase diversity on college campuses.

GET WOKE:

The lessons of Martin Luther King’s life should give us hope today (Janice Ellis, JANUARY 15, 2024, NH Bulletin)

If we, like King, truly believe that the words of the Constitution and Declaration of Independence are meant for all Americans, then zealously embrace them and put them into practice by letting them govern and guide our actions in both our public and private lives.

That fundamental belief inspired and motivated King and lit the path he chose to fix policies and practices to make life in America as it was intended to be.

This was made abundantly clear in his “I Have a Dream” speech during the historic march on Washington in the summer of 1963: “When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men, yes, Black men as well as white men, would be guaranteed the unalienable rights of life, liberty, and the pursuit of happiness.”

King did not ignore, nor seek to discredit or dismantle, the basic tenets of our democratic republic. He embraced them instead.

Republican liberty denies Identitarianism.

THE W-SHAPED HOLE:

What Conservatives Can Learn from MLK’s Economic Views: His support for left-wing views didn’t arise in a vacuum—and it was highly controversial among black pioneers, too. (Rachel Ferguson, Jan 15, 2024J, The Dispatch)

The conservative temperament is not naturally activist, which lends itself to too much lethargy about injustice—even when that injustice goes directly against one’s principled advocacy for private property and free exchange (as Jim Crow, red-lining, and urban renewal certainly did). They might also remind theological conservatives to turn inward and ask where one’s commitment to orthodoxy has veered into a gnostic, out-of-balance spiritualization of the Christian life.

More broadly, they should convince today’s conservatives to pause and take a breath between condemnations of the left to wonder why it has been able to suck all the air out of the room on racial questions. If you are not willing to step into the arena and offer your own solution, you can hardly complain that you lost the match.

THERE IS NO “OTHER”:

Nathanael’s Epiphany (Malcolm Guite, January 13th, 2024, Imaginative Conservative)


The Gospel reading for this second Sunday of Epiphany (John 1:43-51) takes us to one of the most mysterious and beautiful moments in the New Testament. As the disciples begin to gather around Jesus, Philip finds Nathanael and says “We have found him of whom Moses in the Law, and the prophets did write, Jesus of Nazareth, the son of Joseph” (John 1:45) Nathanael’s unpromising response is ‘Can anything good come out of Nazareth?’ Nathanael is not alone in having this kind of bigoted and prejudiced attitude to ‘other’ places and people…

MOCKING iDENTITARIANISM:

In ‘American Fiction,’ An Excellent Depiction of a Politically Incorrect Professor (John Tamny, January 11, 2024, Real Clear Markets)

Some, conservatives in particular, will read this write-up and be interested in its portrayal of guilty white left wingers, the black professor who disdains their guilt, along with the film’s proper ridicule of white guilt as an excuse for the pursuit of diversity for the sake of diversity. It’s all there, including Monk being asked to serve on a prestigious book-prize panel that will decide the year’s best novel. You guessed it, the organization behind the prominent award wants a bit more “diversity.” Yes, conservatives will enjoy the film. Big time. It’s fun to see black people mock the same political correctness that members of the right have long similarly mocked.

At the same time, the view from this right-of-center writer is that while conservatives will surely laugh endlessly during this hilarious and extraordinarily well written film, that it’s brilliantly funny for everyone, including left-of-center types. There’s a family story that the great Kyle Smith viewed as filler, but that worked for me as a way of explaining Wright’s character, and the why behind Wright’s character, in entertaining fashion.

Additionally, it will be said here that conservatives shouldn’t walk out of the theater with too smug of a countenance. This is based on their own routine desire to feature black conservatives in their newspapers, magazines and television shows every time a racial situation reveals itself, the tendency of white conservatives to cheer a black person’s expressed conservatism regardless of whether it’s well-reasoned (I once witnessed a right-leaning black judge give a wholly unremarkable speech that ended with a standing ovation…), not to mention the growing desire of conservatives to deify the “canceled” members of their own flock (with book deals, awards, and well-paid jobs) in the way that dopey left wingers defity anything that’s “Black,” and no matter how ridiculous it is.

EVERY MAN DIES ALONE:

Why Caspar David Friedrich’s Painting Wanderer Above the Sea of Fog (1818) a Romantic Masterpiece, Evoking the Power of the Sublime (Open Culture, January 8th, 2024)

When Caspar David Friedrich completed Der Wanderer über dem Nebelmeer, or Wanderer Above the Sea of Fog, in 1818, it “was not well received.” So says gallerist-Youtuber James Payne in his new Great Art Explained video above, which focuses on Friedrich’s most famous painting. In the artist’s lifetime, the Wanderer in fact “marked the gradual decline of Friedrich’s fortunes.” He withdrew from society, and in 1835, “he suffered a stroke that left the left side of his body effectively paralyzed, effectively ending his career.” How, over the centuries since, did this once-ill-fated painting become so iconic that many of us now see it referenced every few weeks?

Friedrich had known popular and critical scorn before. His first major commission, painted in 1808, was “an altarpiece which shows a cross in profile at the top of a mountain, alone and surrounded by pine trees. Hard for us to understand now, but it caused a huge scandal.” This owed in part to the lack of traditional perspective in its composition, which presaged the feeling of boundlessness — overlaid with “rolling mists and fogs” — that would characterize his later work. But more to the point, “landscape had never been considered a suitable genre for overtly religious themes. And of course, normally the crucifixion is shown as a human narrative populated by human figures, not Christ dying alone.”

FIRST LADY:

REVIEW: of Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song
By Judith Tick
: An exhaustive, unsatisfying look at one of the 20th century’s premier performers. (Rose Rankin, January 4, 2024, Washington Independent Review of Books)


The telling of a history — whether of an event, a time period, or a life story — involves recounting the basics of who, what, where, and so on. It also calls for explaining the why — why something was different than what came before, or why it came to be so important. On the first account, Judith Tick’s new biography, Becoming Ella Fitzgerald, succeeds admirably. On the second, however, it unfortunately falls short.

Tick digs deep into archival research to painstakingly reconstruct Fitzgerald’s life, starting with her upbringing in segregated Yonkers, New York. Musically inclined from a young age and encouraged by her mother, Fitzgerald initially wanted to be a dancer, but her singing brought her more gigs during her Depression-era teenage years.

After a harrowing stay at a girls’ juvenile-detention facility — for a minor truancy infraction compounded by overzealous sentencing, an all-too-familiar situation for Black youth — Fitzgerald got her first break at the Apollo Theater’s Amateur Hour in 1934. Her nerves almost got her booed off the stage, but thanks to a kind emcee giving her a second chance that night, she ended up electrifying the audience.

EL SUPREMO:

How John Coltrane’s ‘My Favorite Things’ Changed American Music (Jeff MacGregor, January/February 2024, Smithsonian)


It’s a timeless song and quite possibly the most American recording in history: composed by the grandsons of German and Russian Jews, about an Austrian family fleeing the Nazis on their way to America, played by an African American genius in a vernacular American style, produced by one Turkish American for a record label owned by another Turkish American. The recording is not in or of the melting pot. It is the melting pot.


It was also a pivotal moment in Coltrane’s career and in his artistry, a tipping point of technique and inspiration, of practice and poetry, of his widening understanding of himself and his place in things. In that single landmark recording, you can feel Coltrane fully embrace the entirety of his promise, not only as a saxophonist, but also as a bandleader, composer and arranger. And maybe as a man.

THE ELLIS ISLAND MODEL SUFFICES:

The immigration game (Ian Linden, 1/03/23, The Article)

Much of what is popularly believed about immigration – I confess to a measure of gullibility myself – is just plain wrong, misguided or exaggerated. The world is not facing an unprecedented refugee crisis, South-North migration is more a rational economic decision than “a desperate flight from poverty, hunger and conflict”. Immigration’s impact on the wages of indigenous workers is negligible. We need migrant labour. We don’t have enough UK-born trained staff in the NHS, social care and a range of vital occupations. Neither development nor border restrictions will stop migration.

The uncomfortable truth for the Right: “control of your borders” includes the right to admit immigrants past them freely

FAMILY VALUES:

Millennials have found a way to buy houses: Living with mom and dad: More than a fifth of adult millennials chose to live rent-free before buying their own houses, according to real estate data (Julian Mark and Eli Tan, January 1, 2024, Washington Post)

The strategy has gained traction among young adults trying to bridge the gap between sky-high rents and a daunting real estate market. In 2022, the share of first-time buyers who moved directly from a friend’s or family member’s home and into their own hit 27 percent, according to the National Association of Realtors. That’s the highest share since the group started keeping track in 1989. Though that number trended lower this year to 23 percent, it remains elevated, said Jessica Lautz, deputy chief economist and vice president of research at NAR.

For swaths of millennials, hunkering down with family gave them breathing room to save for a home. The trade-off comes down to temporarily relinquishing a measure of independence to achieve a milestone increasingly out of reach for people their age.

Having the aduut kids home was one of the things that made the pandemic so enjoyable.