CONFORMITY IS THE WISDOM OF CROWDS:
Against Angst: Most teen movies encourage rebellion and nonconformity, but a few offer lessons in prudence (Peter Tonguette, 8/24/25, American Conservative)
Based on a play by William Inge, the 1955 drama Picnic revolves around the competing dispositions and worldviews of two sisters in Kansas, the pretty and fawned-over Madge (Kim Novak) and the tomboyish and ignored Millie (Susan Strasberg), who seems to conceive of herself in opposition to her sibling. When we meet her in the film, Millie is first seen bouncing a basketball that she soon trades for a book and a cigarette—sure signs that she is an apostate to the conventions of mid-American life at midcentury. By contrast, Madge is first encountered drying her “silly hair,” as Millie calls it, while hanging her head outside of her window.
In fact, Inge leans on Millie to offer remarks on and against the real and imagined provincialism of the town into which she was born and from which she eagerly hopes to one day flee. For example, urged by her mother and sister to find herself a date for the Labor Day picnic, Millie says, “I will dress and act the way I want,” before arming herself with a baseball cap and eyeglasses and digging ever deeper into her copy of The Heart is a Lonely Hunter—just the sort of mildly literary, slightly scandalous book that signals to the audience her delusions of grandeur.
Not that I considered Millie deluded at all when I saw the movie all those years ago. I took her perspective as a rally cry. Having grown up on The Catcher in the Rye and Dead Poets Society, I loved it when Millie said, “When I graduate from college, I’m going to New York and write novels that’ll shock people right out of their senses.” Moving to New York, writing novels, upsetting the pieties of narrow-minded readers—it all sounded so worthwhile, so glamorous, so clearly right.Yet the movie comes to a different conclusion. The great issue in the story is whether Madge will marry a fellow named Hal (William Holden), a wayward drifter who nonetheless has great reserves of magnetism, charm, and decency. At the decisive moment, Millie, of all people, encourages Madge to take the risk of going with Hal. She is careful to clarify that the path she is urging for her sister is not one she will ever take: “I’m never going to fall in love. Not me. I’m not going to live in some jerkwater town and marry some ornery guy and raise a lot of grimy kids.” Then, getting up from the bed where she was sitting, Millie exhorts Madge to choose another way: “But just because I’m a dope doesn’t mean you have to be.”

