Culture

ABRES LOS OJOS:

A GOP Texas school board member campaigned against schools indoctrinating kids. Then she read the curriculum (JEREMY SCHWARTZ, THE TEXAS TRIBUNE AND PROPUBLICA, MAY 15, 2024, Texas Tribune)

[Courtney] Gore, the co-host of a far-right online talk show, had promised that she would be a strong Republican voice on the nonpartisan school board. Citing “small town, conservative Christian values,” she pledged to inspect educational materials for inappropriate messages about sexuality and race and remove them from every campus in the 7,700-student Granbury Independent School District, an hour southwest of Fort Worth. “Over the years our American Education System has been hijacked by Leftists looking to indoctrinate our kids into the ‘progressive’ way of thinking, and yes, they’ve tried to do this in Granbury ISD,” she wrote in a September 2021 Facebook post, two months before the election. “I cannot sit by and watch their twisted worldview infiltrate Granbury ISD.”

But after taking office and examining hundreds of pages of curriculum, Gore was shocked by what she found — and didn’t find.

The pervasive indoctrination she had railed against simply did not exist. Children were not being sexualized, and she could find no examples of critical race theory, an advanced academic concept that examines systemic racism. She’d examined curriculum related to social-emotional learning, which has come under attack by Christian conservatives who say it encourages children to question gender roles and prioritizes feelings over biblical teachings. Instead, Gore found the materials taught children “how to be a good friend, a good human.”

Gore rushed to share the news with the hard-liners who had encouraged her to run for the seat. She expected them to be as relieved and excited as she had been. But she said they were indifferent, even dismissive, because “it didn’t fit the narrative that they were trying to push.”

The Culture Wars are a rout.

BEAUTY IS OBJECTIVE:

Beauteous Truth: On Literature, Culture, & Faith (Jared Zimmerer interviews Joseph Pearce, 5/07/24, Imaginative Conservative)

Jared Zimmerer: Throughout your collection of essays, Beauteous Truth (St. Augustine’s Press), there is a continuous message that culture and having a steeped understanding of authentic cultural approbations are of utmost importance and that Catholicism has helped shape a culture that can last. What advice would you give for others to be able to recognize those parts of culture that are worthwhile?

Joseph Pearce: True culture is a reflection of the transcendental trinity of the good, the true, and the beautiful. The authentic sign of goodness is love and its manifestation in virtue; the authenticity of the true is to be seen in its conformity to reason, properly understood as an engagement with the objective reality beyond the confines of egocentric subjectivism; the authentic sign of the beautiful is a reverence for the beauty of Creation and creativity, properly perceived in the outpouring of gratitude which is the fruit of humility.

WOKEISM FOR WHITE FOLK:

Safetyism doesn’t belong on campus: Conservatives have adopted social-justice tactics (Kathleen Stock, MAY 10, 2024, UnHerd)

In short, then, the past week served up ample material for riotous mirth or contemptuous eye rolls. Though many students are sincere and well-intentioned in their objections to what is unfolding in Gaza, watching self-appointed leaders role-playing at Left-wing radicalism in the hope of future glittering career prizes will never not be ludicrous. Equally, approaching a bloody war like a rabidly partisan football fan on matchday, as Taal seemingly does — automatically primed to deny atrocities committed by your favoured side, and to downplay the devastating effects on opponents — is hardly a sign of moral sainthood, albeit that the phenomenon is now near-ubiquitous.

But there are more alarming aspects to this situation other than the presence of narcissistic millennials. Scorn should also be reserved for those supine university bosses who — having spent years positively incentivising an entire generation to think of themselves as pleasingly disruptive social radicals, acting on behalf of a variety of oppressed victim classes — have now swung to the other extreme without missing a beat, and are cracking down excessively on behaviour they used to tolerate or even encourage. At Columbia, university president and member of the House of Lords Minouche Shafik eventually gave up on negotiation and brought in police against protestors, resulting in more than 100 arrests. At the University of Texas in Austin, riot gear and pepper spray were employed against those camping out; the encampment at UCLA was also flattened by law enforcement, with 200 arrested there. There have also been large-scale arrests at Dartmouth, George Washington University, Massachusetts Amherst, Wisconsin-Madison, and other places too.


It is often remarked that the modern liberal quest to free both self and society from traditional cultural norms and boundaries tends to coincide with increased acceptance of state surveillance and authoritarian social control. Even so, it is rare to see institutions openly inciting both liberation and repression at the very same time. Small wonder that susceptible young people are confused. “I thought that this university accepted me because I am an advocate, because I am someone who will fight for what they believe in, no matter what,” mournfully recounted one Vanderbilt alumnus, originally lauded by faculty and administrators for making a stand against perceived oppression, but now expelled for the very same thing. You can laugh with enjoyable schadenfreude at the naivety; but you should probably also be horrified at the unprincipled ease with which Frankenstein has set the dogs upon the pious, guilt-ridden young monster he had a hand in creating.

Equally depressing has been the way that many conservative commentators, normally professional scourges of wokeness, have become apparent fans of safetyism for Jewish students (please note — not safety, but safetyism). Just as the modern Left either tends to cheer or stay silent as Right-coded views are eliminated from the academy either by stealth or by force, many on the supposedly freedom-loving modern Right apparently have little to say about the violation of the basic right to peaceful speech and assembly, when it comes to defending the perceived interests of Palestinians.

Separate out the rest of the nonsense certain students are saying: the call for self-determination is conservative.

EMOTION ALWAYS MISLEADS:

What would Thucydides say?: In constantly reaching for past parallels to explain our peculiar times we miss the real lessons of the master historian (Mark Fisher, 5/07/24, Aeon)

Thucydides was unusual among classical writers in stating directly what he hoped his readers would gain from his work. He would be content, he says, if History of the Peloponnesian War was deemed ‘useful’ by those who wanted ‘to scrutinise what actually happened and would happen again, given the human condition, in the same or similar fashion’ (my translation). The description nevertheless leaves readers wanting. How exactly such knowledge should prove useful is underspecified, and scholars have long disagreed over what Thucydides expected the utility of his text to be.

Most assume that Thucydides tried to offer his reader a type of foreknowledge that could potentially translate into active control over the politico-historical process. Taken to its extreme, this ‘optimistic’ interpretation reads History of the Peloponnesian War as a sort of ‘political systems users’ manual’, as Josiah Ober put it, capable of creating expert political technicians. Recognising regularities in the historical process, it is thought, should lead to predictive capacity, which in turn allows for political mastery. Proceeding in this fashion, Thucydides takes himself to be training master statesmen capable of solving the fundamental problems of political life.

Others detect a more pessimistic outlook in Thucydides’ stated ambition. They suggest that the lessons on offer are insufficient to produce control over events even if they can help the reader detect regularities in the political process. Unexpected events will often upset our expectations, as the plague did in Athens, and the ignorance of non-experts will often disrupt the translation of technical insight into effective policy. This problem will be particularly acute within a democratic context, where a popular eagerness to apply bastardised versions of such insights may even make matters worse. In this interpretation, Thucydides is ‘useful’ to the extent that he can temper the ambitions of those wishing to impose rational order onto political life. The best we can hope for, it seems, is to minimise our self-harm.

At issue between these two interpretive poles is the basic presumption of applied social science: to what extent can the recognition of recurring patterns translate into effective political policy? Yet, Thucydides was not writing social science as we know it. To the extent that his text articulated anything like fundamental laws of political behaviour, it did so through exemplary instances and carefully curated parallelisms. The Peloponnesian War served as a paradigmatic event for Thucydides: a particular instance that revealed general truths. It served this representative role, however, not because it was typical. Rather, it was exemplary because it was uniquely ‘great’. The war would prove useful, in other words, not because of history’s strict repetition, but by the pregnancy of similarity and the reader’s ability to parse analogies effectively.

Thucydides schools his readers in just how difficult such acts of analogical interpretation can be. A series of carefully considered verbal parallels, or what Jacqueline de Romilly has called fils conducteurs (‘guiding threads’), extend through Thucydides’ narrative like a web, ensnaring the reader in a constant and, at times, overwhelming sense of déjà vu. Sometimes, repetitions point towards important explanatory insights. But they also suggest likenesses that can lead the reader astray. Time and again, Thucydides confounds the expectations he has created. Even upon rereading, one can feel an internal tension between what one knows to be the case and what one is nonetheless led to expect will happen. Whether it is your first or your 15th read, you can still catch yourself thinking: this time surely Athens will win.

The evident lesson behind all of this is that we must learn how to choose the right parallels if we are to judge well in politics. But Thucydides also knew that we did not have full control of the analogies that shape our deliberations, especially in public life. Our analogical vocabulary is woven directly into the cultural fabric, a product of the contingencies that shape collective memory. We choose them no more than we choose the language we speak. (Once again, Marx: ‘Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past.’) Some events, such as the Persian Wars in Thucydides’ day or the Second World War in our own, simply loom too large to avoid, and we are easily held captive by the emotional weight of their cultural significance. Thucydides measured this gravitational pull also in terms of ‘greatness’, a concept that he identified closely with the production of collective trauma.

The danger inherent in this, of course, is that emotional resonance is often a poor guide to explanatory power.

MAY THE TWADDLE BE WITH YOU:

The Birth of Yoda: Manichaeism and the Jedi Religion (Joseph Wilson5/04/24, Voegelin Views)

Jediism now has real-life adherents (whether serious or otherwise) and one modern UK census (2011) revealed that Jedi was the seventh largest religion in that kingdom, dwarfing British Scientology (another so-called “religion” founded by a science-fiction auteur).


In Jediism, world-mythology merges with adventure and fantasy fiction, combining Akira Kurosawa’s Buddhist and samurai themes with J.R.R. Tolkien’s Christian allegories. A historical Buddhist master is the most likely model for Yoda. We can only guess which varied influences account for Yoda’s extreme longevity. Biblical Methuselah lived more than 900. Tolkien’s Gandalf lived more than 2000. The historical second-century Buddhist patriarch Nagarjuna lived to more than 700 (according to legend). Padmasambava (Tibet’s “second Buddha”) allegedly dissolved like a Jedi into a rainbow body of light. The oldest attested ending of the oldest attested Christian gospel (the “short” ending of the Gospel according to Mark) depicts Jesus of Nazareth simply disappearing from his tomb with the witnesses running scared.


British Jedis might outnumber Scientologists, but Lucas was not the first savant to forge a universalizing hybrid religion. Yoda’s esoteric roots are ancient. Yoda’s very name may in fact be derived from an obscure Christianization of the name “Bodhisattva” (lit: “Enlightenment Being” a.k.a. one who will attain Buddhahood), distorted in transit to Christian Europe on the trade routes, and preserved among the various Buddhist and Christian scriptures sacred to a different ancient religion: Manichaeism.
Gnosticism and Manichaeism: Religion of Light


Tolkien’s “Catholic myth”, Lord of the Rings, deeply influenced Star Wars. Tolkien’s wizard Gandalf seems to be one of Lucas’s primary models for Obi Wan Kenobi. Paralleling Kenobi’s ill-fated duel with the Sith Lord Vader on the Death Star, Gandalf also died in single combat against an enemy clothed in shadow (the Balrog Durin’s Bane who lived in the Mines of Moria). He was later resurrected and arrived during the crucial battle scene, having been transformed into a luminous white form. His triumphal return to aid the war effort proved decisive at the battle of Helm’s Deep, just as Kenobi’s transcendent Force Ghost proved to be Luke Skywalker’s decisive aid at the Battle of Yavin.


Nonetheless George Lucas’ homage to Tolkien is clearly Gnostic, not Catholic or Orthodox or Protestant. (“Gnostic”, referring to esoteric knowledge, is a somewhat controversial umbrella term for various early Judeo-Christian heresies most of which can be characterized as “anti-materialist”). At the conclusion of Return of the Jedi, the luminous resurrection of three deceased Jedis (Yoda, Obi Wan Kenobi and Anakin Skywalker) differs from mainstream Christianity’s tenet of material/bodily resurrection. It instead conforms closely to Gnosticism’s non-material/spiritual resurrection. The Force Ghost is pure light/energy, not “crude matter.” The overtly Gnostic implications of Jedi resurrection have been known to trouble Christian apologist Star Wars fans. The similarity between Jediism and Gnosticism runs deep.

THE HORROR, THE HORROR:

Dune and progressive media illiteracy (Jaimee Marshall, 3 May, 2024, The Critic)

Dune is no exception to this baffling media illiteracy. There has been no shortage of op-eds released in recent years disparaging Frank Herbert’s novel and Denis Villeneuve’s film adaptations as an orientalist white saviour story that simultaneously culturally appropriates Middle Eastern culture while erasing representations of its people. These criticisms ring hollow if you engage with the story in any thoughtful manner. Dune cannot be accurately characterised as a white saviour story when its explicit thesis is that we should be wary of self-appointed saviours, of charismatic leaders who claim a benevolent desire to liberate people from their oppression, regardless of their race.

In an interview with Vanity Fair, Denis Villeneuve said, “When the first novel came out, Frank Herbert was disappointed by the way the book has been perceived. We felt that the readers were thinking that Dune was a celebration of Paul Atreides, but rightly the opposite. His intentions were to make a cautionary tale, a warning towards messianic figures.” This caused Herbert to write a follow-up book called Dune: Messiah, where the dangers of blind allegiance are spelled out more clearly. In Villeneuve’s film adaptation, he transformed Chani’s character into a more prominent, sceptical, and outspoken character. “Through her eyes, we understand what Paul becomes and in which direction he goes, which transformed the movie not into a celebration but as Frank Herbert was wishing, more of a warning,” Villeneuve explains. Chani becomes the moral centre that the audience identifies with, which awakens them to the warning signs of what Paul is about to become.

THE DOOR IS WIDE OPEN:

Lost Angel: The Genius of Judee Sill (Pat Padua, 4/17/24, Spectrum Culture)

With her sordid life and angelic voice, Sill is a fantastic subject, and as suits a figure who, with the evidence of her lyrics and her life, regularly conversed with angels and demons both, her muse was to some degree developed in juvenile court. She played church organ while she was in reform school, and that developed her taste for Bach which informed her songwriting and orchestral imagination. Among the interviews with peers like David Crosby and Jackson Browne, critic Tim Page plays something like the role Jonathan Richman played in Todd Haynes’ The Velvet Underground. He joyfully demonstrates the musicality behind his favorite track, “The Lamb Ran Away with the Crown,” and Page is mystified over why it wasn’t a huge hit. Even if you’re new to her music, you will be too.

Yet as Crosby notes, Sill had a reputation for being “fierce”; she knew what she wanted in the studio and, in fact, conducted her own orchestrations. Linda Ronstadt explains that the only other musician during that era with similar musical chops was Brian Wilson. In a marriage of the scared and the profane, Sill informed her folk music with classical structure and beer-barrel boogie, with lyrics that were searching and religious. This outlaw was repentant; she reveled in her transgressions but was just as fervent about the possibility of redemption. She battled demons as deeply as she embraced them and considered it more courageous to fight them. She could play like the devil, and as Natalie Mering, aka Weyes Blood, candidly points out, Sill was not conventionally attractive, but her music seemed to come out of some gorgeous fount.

IT’S LONG COVID:

Britain Is Leaving the U.S. Gender-Medicine Debate Behind: The Cass report challenges the scientific basis of medical transition for minors. (Helen Lewis, 4/14/24, The Atlantic)

The report drew on extensive interviews with doctors, parents, and young people, as well as on a series of new, systematic literature reviews. Its publication marks a decisive turn away from the affirmative model of treatment, in line with similar moves in other European countries. What Cass’s final document finds, largely, is an absence. “The reality is that we have no good evidence on the long-term outcomes of interventions to manage gender-related distress,” Cass writes. We also don’t have strong evidence that social transitioning, such as changing names or pronouns, affects adolescents’ mental-health outcomes (either positively or negatively). We don’t have strong evidence that puberty blockers are merely a pause button, or that their benefits outweigh their downsides, or that they are lifesaving care in the sense that they prevent suicides. We don’t know why the number of children turning up at gender clinics rose so dramatically during the 2010s, or why the demographics of those children changed from a majority of biological males to a majority of biological females. Neither “born that way” nor “it’s all social contagion” captures the complexity of the picture, Cass writes.

What Cass does feel confident in saying is this: When it comes to alleviating gender-related distress, “for the majority of young people, a medical pathway may not be the best way to achieve this.”

CROSSING OVER:

Harry Burleigh’s “Deep River” of Common Humanity on NPR (Joe Horowitz, 4/13/24, Unanswered Questions)

If you’ve ever heard Marian Anderson sing “Deep River,” you’ve heard an immortal concert spiritual by Harry Burleigh. His name won’t appear on the youtube captions – and yet Burleigh’s “Deep River” isn’t a mere arrangement.

I unpack the genesis of “Deep River” – its surprising origins as an obscure “church militant” spiritual, its indebtedness to Antonin Dvorak, its subsidiary theme composed by Burleigh himself – on the most recent “More than Music” feature on NPR: “’Deep River’: The Art of Harry Burleigh.” The performances (other than Marian Anderson’s) were recorded in concert by the exceptional African-American baritone Sidney Outlaw. It was my pleasure to be the pianist.

The show argues that Burleigh was a major creative force – more than the pivotal transcriber of spirituals as concert songs. In particular, we present his final art song – “Lovely, Dark, and Lonely One”(1935) – as his valedictory: not merely one of the supreme concert songs by an American, but an encapsulation of Burleigh’s life philosophy. It takes an eloquently impatient Langston Hughes poem, and turns it into an expression of hope and faith. “Burleigh consistently refused to participate in movements he considered separatist or chauvinistic,” writes Jean Snyder in her Burleigh biography. He believed that artists, not politicians, would most effect progressive change. “They are the true physicians who heal the ills of mankind,” he wrote. “They are the trailblazers. They find new worlds.” Our performance of this song, at Princeton University last year, is a little slower than other versions; its interior life (the climax is a pregnant silence) felt deep and true.

Burleigh’s own life story is a parable of faith: his patience was rewarded.