OCCUPATION EATS THE SOUL:

Israel’s choices — not Hamas — are an existential threat to the Jewish state: The true threat to Israel’s survival hides not in the shadows, but in the mirror (Jerome Karabel, December 20, 2023, The Forward)

The true threat to Israel’s survival hides not in the shadows, but in the mirror. Against the backdrop of its violent occupation of the West Bank and obstruction of Palestinian statehood, Israel’s apparent disregard for Palestinian lives in the current Gaza campaign risks not only global condemnation, but the fate of South Africa during apartheid: economic, political and cultural isolation — and, ultimately, collapse.

ZIGGY’S NOT WRONG:

In the music of Bob Marley, a deep connection to Judaism (Benjamin Ivry, May 19, 2021, The Forward)

As a Rastafarian, an adherent of an Abrahamic religion and social movement that developed in Jamaica during the 1930s, Marley was a student of the second book of the Torah, among other Jewish sacred writings. His 1977 song “Exodus” demonstrated as much, voicing the hope that Rastafarians, downtrodden socially and economically in Jamaica, would be led to freedom, as Moses led the Israelites out of Egypt.

Marley’s uplifting words, “Open your eyes and look within/ Are you satisfied with the life you’re living?/ We know where we’re going/We know where we’re from/We’re leaving Babylon/ We’re going to our Father’s land” stirred audiences to empathize with a quest for a new spiritual homeland.

“Exodus” was written at a particularly fraught moment of Marley’s life, after he had survived an assassination attempt in Jamaica in 1976.

An earlier song, “Iron Lion Zion,” again referred to the biblical Promised Land in the context of Rastafarian belief that their restored homeland of liberation and salvation would be Ethiopia.

Marley’s “Redemption Song,” written circa 1979, refers to being sold into bondage: “But my hand was made strong/ By the hand of the Almighty” which is seen as a direct allusion to Genesis 49:24: “…the arms of his hands were made strong by the hands of the mighty God of Jacob.”

His musical transmutations of Jewish history followed charismatically in the footsteps of other Rastafarian-inspired musicians such as Count Ossie, a Jamaican drummer and bandleader; or Desmond Dekker’s 1969 hit “Poor me Israelites,” later retitled simply “Israelites” to refer to the Rastafarian Movement’s links to the Twelve Tribes of Israel.

Bemoaning family separations caused by poverty, Dekker’s song advised Jamaican Rastafarians not to accept social marginalization as an excuse for taking to a life of crime.

In the same year, The Melodians, a Jamaican group, sang a Rastafarian version of Psalm 137 under the title “Rivers of Babylon, a cover version of which by the Euro-Caribbean group Boney M became an international hit in 1978: “By the rivers of Babylon/ Where we sat down/ And there we wept/ When we remember Zion/ For the wicked carry us away captivity.”

So Marley’s creativity was part of an overarching cultural, social and spiritual identification between Rastafarianism, Reggae music and Judaism.

SHANKS’ MARE SINCE:

Going for a walk wasn’t really a thing 300 years ago – the Victorians turned it into a popular pastime (Lauren Nichola Colley, 12/27/23, The Conversation)

You might be surprised to hear that “going for a walk” wasn’t really a thing until the late 1700s.

The term “pedestrianism” may have Latin roots, but in the 1800s its first association would have been a sporting one. “Professional pedestrianism” or “race-walking” was fiercely competitive by the 1850s.


Tournaments in America took place over six days, with entrants walking the equivalent of 450 miles, taking naps in tents by the track and sipping champagne en route. The stringent “heel-to-toe rule” still in place states that “the advancing leg must be straightened from the moment of first contact with the ground.”

Walking as a leisure activity came about around the 1780s. Until this point walking had been an act of necessity, associated with poverty, vagrancy and even criminal intent. Many individuals would live and die never having seen beyond a few square miles of bleak cityscape and only slightly further for those in the country.

Along with the rural appreciation of the Lake poets – including William Wordsworth and Samuel Taylor Coleridge – at the turn of the century, famous walkers such as Charles Dickens brought the pastime of walking into vogue.

THE AMERICAN VICTORY:

Why Israel can’t accept a ceasefire: Hamas has dictated the parameters of victory (EDWARD LUTTWAK, December 23, 2023, UnHerd)

During their protected wars in Vietnam, Iraq and Afghanistan, America’s leaders and generals could never define victory. Hamas, by contrast, has a clear understanding of what it looks like. Now that the terror group has demonstrated the failure of Israel’s deterrence, it insists it will not any more short ceasefires in exchange for hostages, but only a complete end to Israel’s offensive, which would of course leave it in full control of Gaza.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.–That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, –That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.

A LITTLE PAIN NEVER HURT ANYBODY:

A New Way to Treat Back Pain (Sumathi Reddy, Dec. 21, 2023, WSJ)


What if the best way to treat your chronic back pain is by retraining your brain?

That’s the premise of a novel approach to chronic pain. Many people feel pain even after a physical injury has healed or when doctors can’t find a physical cause. The approach, called “pain reprocessing therapy,” tries to train the brain not to send false pain signals. Some early results are promising.

In a study published last year in JAMA Psychiatry, 66% of a group of people who did the therapy for a month were pain-free or nearly pain-free up to a year later.

PARAMETERS OF THE LONG WAR:

Western Civilization: The Problem of Political Freedom (Frank S. Meyer, Spring 1968, Modern Age)

At the heights of the philosophical and Prophetic endeavors, in a Plato or a proto-Isaiah, as occasionally among their predecessors and followers, the vision cleared and a simple confrontation between individual men and transcendence stood for a moment sharply limned. But at these heights of understanding another problem arose, one I have referred to above when discussing the Hellenic experience and have called the problem of Utopianism. A clear vision of the naked confrontation of individual men with transcendence created a yawning gap in human consciousness. It was something of the effect of eating the fruit of the Tree of the Knowledge of Good and Evil. On the one hand stood the perfection of transcendence, and on the other the imperfection of human existence. The temptation was enormous to close that intolerable gap, to grasp that understood transcendent perfection and by sheer human will to make it live on earth, to impose it on other human beings – by persuasion if possible, by force if necessary.

The same temptation beset the Hellenic philosophers at their highest reach of vision. The effect of this temptation was portentous for the future, because of its continuing impact upon both the Hellenic and the Judaic traditions, the twin sources from which our Western civilization derives so much of its content. Its effects can be perceived in the most diverse areas: in the effect on Western thought of the concepts of moulding human life implicit in the Utopian society of Plato’s Republic or in the dictatorial powers of the Nocturnal Council in his somewhat less rigid Laws; or in the actual political absolutism, derived from the Judaic tradition, of such polities as Calvin’s Geneva or Spain of the Inquisition or Cromwell’s England. Secularized with the passage of time, the Utopian desire to impose a pattern of what the imposers considered perfection becomes ever more rigid, total, and terrible, as in the allpowerful Nation of the French Revolution or the Dictatorship of the Proletariat of the Communists.

The Utopian temptation arises out of the very clarity of vision that tore asunder the cosmological world-view. Released from the comforting, if smothering, certainties of identifica tion with the cosmic order, men became aware of their freedom to shape their destiny-but with that freedom came an awesome sense of responsibility. For the same leap forward that made them fully conscious of their own identity and their own freedom made them conscious also of the infinite majesty and beauty of transcendence and of the criterion of existence that perfection puts before human beings, who in their imperfection possess the freedom to strive to emulate perfection. A yawning gulf was opened between infinity and finity.

There are two possible human reactions to the recognition of this reality.

On the one hand, it can be accepted in humility and pride – humility before the majesty of transcendence and pride in the freedom of the human person. That acceptance requires willingness to live life on this earth at high tension, a tension of men conscious simultaneously of their imperfection and of their freedom and their duty to move towards perfection. The acceptance of this tension is the distinguishing characteristic of the Western civilization of which we are a part, a characteristic shared by no other civilization in the world’s history.

On the other hand, the hard and glorious challenge of reality can be rejected. The tension between perfection and imperfection can be denied. Men conscious of the vision of perfection, but forgetting that their vision is distorted by their own imperfection, can seek refuge from tension by trying to impose their own limited vision of perfection upon the world. This is the Utopian temptation. It degrades transcendence by tr ying to set up as perfect what is by the nature of reality imperfect. And it destroys the freedom of the individual person by forcing upon him conformity to someone else’s limited human vision, robbing him of freedom to move towards perfection in the tension of his imperfection. It is in form a return to the womb of the cosmological civilization, in which the tension of life at the higher level of freedom was not required of men, in which they could fulfill their duties in uncomplicated accep tance of the rhythms of the cosmos, without the pain or the glory of individuation. But Utopianism is only similar to cosmological civilizations in form; in essence it is something different, because cosmological civilization was, as it were, a state of innocence, while Utopianism comes after the eating of the fruit of the Tree of Knowledge of the persons of God and men. It is a deliberate rejection of the high level at which it is now possible for men to live, and as such it distorts and oppresses the human spirit. Yet it has remained, ever since the Hellenic and Judaic break through the cosmological crust, an everprevalent historical factor. In particular, as Western civilization is the civilization that accepts and lives with the tension of spirit, Utopianism has been a constantly recurring destructive force within it.

Indeed, the history of Western civilization is the history of the struggle to carry forward its insight of tension, both against the remaining inherited traumas of the cosmological attitude in its social structure and in its intellectual outlook and against the continuing recrudescence of Utopianism.

We should never be surprised that some people are willing to reject the uncertainty and risk that freedom affords in favor of the security of Utopian conformity.

PUTTING AWAY CHILDISH THINGS (profanity alert):

Nick Cave on Christ and the Devil (Freddie Sayers, Dec 25, 2023, UnHerd)

In the old days, with The Birthday Party, they were extremely energetic, extremely (I would say) violent, aggressive concerts done by a not-fully-formed person, who held the world in contempt as a sort of default. That was the energy of those concerts — and that has changed completely. Now I see the world in a completely different way, and see human beings in a completely different way. I see the brokenness of human beings, but also the unbelievable value of human beings. This is something that, back then, I could never have imagined I would have felt. I think it has something to do with becoming a more complete person, through a series of things that have happened to me through my life — things that have happened to us all, probably.

“KEEP LISTENING TO THE BELLS”

The Greatest Gift (Philip Van Doren Stern, Dec 25, 2008, Tor.com)


When he found himself unable to find a publisher for his story, author Philip Van Doren Stern printed up copies of the “The Greatest Gift” and gave them out as Christmas cards in 1943. Eventually, the story came to the attention of director Frank Capra, who explained later, “It was the story I had been looking for all my life! A good man, ambitious. But so busy helping others, life seems to pass him by…Through the eyes of a guardian angel he sees the world as it would have been had he not been born. Wow! What an idea.” Capra went on to turn Stern’s story into the cherished holiday classic It’s A Wonderful Life. Released in 1946 and starring James Stewart, Donna Reed, Lionel Barrymore and Gloria Grahame, the film received several Academy Award nominations and has gone on to become one of the most iconic films in movie history, as well as a beloved feature of every holiday season. Here, presented for your enjoyment, is the original Philip Van Doren Stern story. Happy holidays, all.

EVERYTHING GOOD:

PODCAST: Whit Stillman on ‘Metropolitan,’ a Christmas Movie (SONNY BUNCH, DEC 16, 2023, Bulwark Goes to Hollywood)


This week I’m thrilled to be joined by Whit Stillman, the director of, among other features, The Last Days of Disco, Barcelona, and Love and Friendship. He’s on the show today to discuss Metropolitan and the way it has been embraced as a classic Christmas movie, as well as the evolution of the indie film business over the last 40 years or so.