Culture

TWIXT:

Punk, Poet, Prophet: In Praise of the Late, Great Shane MacGowan : Ed Simon on One of Music’s Great Lyricists (Ed Simon, March 17, 2025, Lit Hub)

“There’s a glass of punch below your feet and an angel at your head / There’s devils on each side of you with bottles in their hands / You need one more drop of poison and you’ll dream of foreign lands,” MacGowan sings in “The Sick Bed of Cuchulain,” the album’s first track. Poetry between heaven and hell, with all the sublimity of Yeats and the profanity of Behan, where they “took you up to midnight Mass and left you in the lurch / So, you dropped a button in the plate and spewed up in the church.” Wild music, but haunted. Shades of the dunes when on “A Pair of Brown Eyes,” a MacGowan describes “blood and death neath a screaming sky… And the arms and legs of other men / Were scattered all around, / Some cursed, some prayed, some prayed then cursed / Then prayed and bled some more.”

Back when I used to drink, Rum, Sodomy, and the Lash was a favored album to shell out quarters for in the neon cacophony of the barroom jukebox; “Farewell to New York City boys, to Boston and PA!” belted out at Silky’s, Kelly’s, the Cage. “I’m a free born man of the USA!” goes the chorus in “Body of an American,” from the EP of Rum, Sodomy, and the Lash, a declaration of independence, but half-hearted, knowing that the inverse of freedom can always be another form of servitude.

I quit drinking, but I still listen to the Pogues.

ONCE WERE NEWSPAPERS:

The Last Sportswriters of New York (Dave Kaplan|Mar. 9th, 2025, New York: Intelligencer)

Along with 75-year-old Steve Serby and 74-year-old Larry Brooks, Mushnick is part of a holy trinity of snowy-haired sportswriters who anchor a section that trumpets itself as the “Best Sports in New York” — a claim that has gone virtually unchallenged since the New York Times shuttered its sports section and the Daily News, the Post’s fiercest competitor for decades, has been reduced to a skeleton operation. The paper covers the city’s sports scene like it’s still 1985 while navigating a vastly changed sports-media landscape. Locker rooms are now filled with what former Times columnist George Vecsey calls “the thumb people” — less-seasoned reporters constantly scrolling and tweeting updates. “It’s kind of interesting walking in there and seeing kids 50 years younger than me,” admits Brooks, who has been writing about the Rangers since the mid-1970s. Serby, who’s been covering the Jets and the Giants for over four decades, says, “Some of today’s athletes have no concept of what it means to be a reporter or columnist.”

In an industry ravaged by layoffs and early retirements, Brooks, Mushnick, and Serby are an endangered species — tab men from the old school.

DOWN-N-OUT:

The Tale Of The Early-Round KO Of Muhammad Ali’s Champburger (Dan McQuade, February 28, 2025, Defector)

“In 1916,” Adam Chandler wrote in the book Drive-Thru Dreams, “Walt Anderson first performed the magical, calculated act of crafting tiny ground beef patties and then smashing them flat onto a steaming, onion-laced griddle.” To reassure customers scared of the meat industry after reading works like Upton Sinclair’s The Jungle, Anderson had his employees cook the burgers on a griddle right in front of patrons. The sliders made Anderson $3.75 in profit on his first day. The motto of his restaurant, White Castle, was “Buy ’em by the sack.”

“White Castle made this big effort to provide this place that looked really clean,” Chandler told Defector. “They would grind the meat in front of the customers and they’d made a big show of everything being choreographed down to the second. Every bit of the experience was just really, really managed. And all the stores look the same, too, and that was meant to convey comfort and familiarity in a sense that you’ll be safe in any of these places wherever you go. Now we think of that as kind of being soulless and corporate, but back then that was a big deal.”

White Castle was an instant and smashing success. Knockoffs with names like Blue Castle and White Tower failed to capture the same magic, but by the 1960s, the country was dotted with chains like A&W, Tastee-Freez, and Dairy Queen. By the time places like Champburger were opening, McDonald’s was well on its way to becoming the largest chain in the country. Franchisee Ray Kroc bought out its founders, the McDonald brothers, and pushed through an ambitious program of expansion that continues more or less to this day. That globe-bestriding empire, and many only slightly smaller ones, was built through franchising.

The franchise system was a boon to company owners. In exchange for a percentage of profits and a franchise fee, franchisees received the rights to operate their restaurants under a set of guidelines laid out by the companies whose recognizable brands gave those franchises value. Those guidelines were generally quite strict; chains still strived for comfort and familiarity even after The Jungle was well out of customers’ minds. From a business perspective, the franchisee took on most of the material risk. Eventually companies would turn to making money from the land under their own restaurants, which they leased to franchisees.

Many of those franchises were start-ups from people in the industry. Kroc was a milkshake machine salesman; McDonald’s was one of his customers before he made his start as a franchisee. The company spread under Kroc; competing fast food franchises like Burger King and Kentucky Fried Chicken also found success. It was not long until celebrities started getting in on the action—not as franchisees, but as the faces of brands that wanted to expand in the same ways, if not on the same scale, as White Castle or McDonald’s.

The week before Ali reported to prison, Joe Namath was in Miami to open a Broadway Joe’s restaurant. Miami News sports editor John Crittenden described the scene: “When Joe Namath opened his restaurant here last weekend, it was done at great expense—extensive advertising, houseboat cocktail parties, the employment of buxom damsels wearing football jerseys to serve hero sandwiches.”

The celebrity fast-food craze can primarily be traced to the success of Gino’s Hamburgers, a restaurant founded by Joe Campanella, Louis Fischer, Alan Ameche, and Gino Marchetti in the late 1950s. All four had played for the Baltimore Colts, and the first location was in the city’s suburbs. In a city that loved its Colts, a restaurant owned by four of them predictably became a hit.

After that, it was just a matter of waiting for the Blue Castle/White Tower types to arrive. Those knockoffs came in varying forms, but they all had a celebrity attached. Namath had Broadway Joe’s. Johnny Carson had Here’s Johnny’s! Ron Santo had his own pizzas at Wrigley Field. Bart Starr owned drive-ins. Plans were in the works for something called Mickey Mantle’s Country Kitchen. While still with the Steelers, Brady Keys opened All-Pro Chicken. At one point his restaurants were so successful that they partnered with KFC to open Brady Keys’ Kentucky Fried Chicken locations in black neighborhoods. The colonel was pushed aside by a Pro Bowl cornerback.

Other companies attempted similar ideas. Minnie Pearl’s Chicken operated in white neighborhoods. It served the same food as gospel singer Mahalia Jackson’s Glori-Fried Chicken, a name that feels almost but not quite sacrilegious. Glori-Fried Chicken locations were either attached to Gulf gas stations or standalone properties designed by black architectural firm McKissack and McKissack and made to look like a church. (This part feels notably more sacrilegious.)

“It’s getting ridiculous,” an anonymous stockbroker told the Detroit Free Press in January of 1969. “A celebrity sticks his name on a chicken shack and suddenly it’s $50 a share.”

Champburger was the brainchild of three white Miamians: Edward Gale, Leonard Lurie, and Philip Brooks. They worked with the Ali associate and Southern Christian Leadership Conference lawyer Chauncey Eskridge to put together a prospectus for the business and looked for investors.

The Champburger prospectus was not promising.

AMUSING THE LAST MAN:

What Moby Dick Still Teaches Us (Andy Owen, 02/26/2025, Merion West)

The Children’s Commissioner for England recently released a report on the July, 2024 riots that followed the horrific murders of three young girls at a dance class in Southport. The riots, which lasted almost a week and included racially-motivated attacks, arson, and looting were the largest incident of social unrest in England since 2011. In a series of interviews, the Children’s Commissioner, Dame Rachel De Souza, found that children who took part in the riots were primarily driven by curiosity and the “thrill of the moment” rather than far-right ideology and social media misinformation, the initial culprits blamed by the authorities.

De Souza’s report noted that poverty and a lack of opportunity in their communities also contributed to the rioters’ involvement. Human beings need more than the satisfaction of their base desires. They strive for status, belonging, and meaning. They can find these in the service of political parties, religious creeds, non-nation-state groups; in the pursuit of wealth and possessions; in the creation of art, music, and objects of value; in building a family or a network of friends; and in adventure and thrill-seeking. When other opportunities to achieve status, belonging, and meaning are limited, the risk that increasing numbers will turn to the thrill of violence and law breaking will increase. A 2018 study led by psychologist Birga Schumpe supports the report’s insights. While previous research linked people’s search for meaning with their willingness to use violence for a cause, Schumpe’s research suggests that the search for meaning is strongly associated with a need for excitement, which, in turn, was associated with greater support for violence.

I first read Herman Melville’s Moby Dick while working in counterterrorism for the British government. The story of how the narrator Ishmael becomes part of the vengeful hunt for the titular white whale onboard a New England whaling ship, provided more of a window into the minds and motivations of modern-day extremists than any contemporary book I could find.

THE GRAVEDIGGER THEORY OF JOURNALISM:

It’s an Honor (Jimmy Breslin, November 26, 1963, New York Herald Tribune)

Clifton Pollard was pretty sure he was going to be working on Sunday, so when he woke up at 9 a.m. in his three-room apartment on Corcoran Street, he put on khaki overalls before going into the kitchen for breakfast. His wife, Nettie, made bacon and eggs for him. Pollard was in the middle of eating them when he received the phone call he had been expecting.

It was from Mazo Kawalchik, who is the foreman of the gravediggers at Arlington National Cemetery, which is where Pollard works for a living. “Polly, could you please be here by eleven o’clock this morning?” Kawalchik asked. “I guess you know what it’s for.”

Pollard did. He hung up the phone, finished breakfast, and left his apartment so he could spend Sunday digging a grave for John Fitzgerald Kennedy.

When Pollard got to the row of yellow wooden garages where the cemetery equipment is stored, Kawalchik and John Metzler, the cemetery superintendent, were waiting for him.

“Sorry to pull you out like this on a Sunday,” Metzler said. “Oh, don’t say that,” Pollard said. “Why, it’s an honor for me to be here.”

TRAGIC:

Salt of the earth: The secret history of the pub peanut (Rob Crossan, October 28, 2024, Country Life)

If you wanted a salty snack in a British pub before 1872, then there really was no need to order anything other than a pint from the barman. Before the Licensing Act that became law that year, breweries would put salt in the beer itself, keeping — as was no doubt intended — their customers thirsty and masking the often appalling quality of the ale sold to drinkers.

A century and a half on and the issue of salt with your beer is once again coming out of its shell. This time, it’s due to the decline in sales of that most venerated of pint accompaniments: the humble bag of dry roasted or, more commonly, salted peanuts.

Market-research firm Kantar reports a 4.5% decline in the sale of peanuts between 2020–23, worth £29.4 million across the country’s supermarkets. As Dominic Durham, general manager of The Sheaf View in Sheffield, South Yorkshire, five-time winner of the CAMRA (Campaign for Real Ale) Champion Pub of the city, elaborates, the change in habits has been noticed behind his bar counter, too.

‘There has been a definite decline in sales [of peanuts],’ reflects Mr Durham. ‘The main change in snacks is that the variety has increased — things such as poppadoms and pretzel pieces are available now, which obviously takes sales away from nuts. A lot of venues now offer more substantial snacks, including pork pies and Scotch eggs — we even sell onion bhajis that a local curry house provides us with at weekends.’

WITCH HUNTS ARE A FUNCTION OF WITCHES:

If oysters be the food of love, shuck on: Tom Parker Bowles searches for the ultimate ‘jiggy jiggy juice’ (Tom Parker-Bowles, November 7, 2024, Country Life)

I remember a trip to Hong Kong, a couple of decades back, where I found myself in Kowloon’s ‘Snake Alley’, a tiny backstreet known for its reptilian delights. The walls of this particular restaurant were fitted with dozens of small glass cases, each containing a cobra, all of which eyed me with beady disdain. Once I’d selected my dinner, the furious serpent was removed from its home and languidly proffered before me. After I’d nodded my (terrified) approval, its head was lopped off, the body chopped up and simmered in a soup, as the bile duct and blood were drained into a shot of baijiu, which I had to down in one. The spirit was so potent that I could taste nothing but fire. Once I’d opened my eyes and just about recovered, the owner punched me on the shoulder. ‘Your lady very lucky tonight,’ he whispered with a lascivious grin. Then he pumped his fist, just to hammer the message home. There was, I hasten to add, no effect whatsoever. Just like every other so-called ‘aphrodisiac’.

Some ingredients do, admittedly, possess nutrients that may help the wannabe lothario. At a push. We all know that the Venetian Casanova gobbled oysters by the dozen and, not only do they look fairly suggestive, all soft, seductive folds of flesh, but they also contain zinc, which can speed up testosterone production. Dark chocolate is rich in a compound called phenylalanine, which boosts mood and, they say, the libido, too. Bananas are bursting with potassium, bromelain and B vitamins, all essential for reproductive hormones, whereas pomegranates have lots of lusty antioxidants. Yet you’d have to consume all of the above in such vast quantities that you’d eat yourself into a stupor — which hardly makes for a night of unbridled passion.

Every country and culture has its own form of ‘jiggy jiggy juice’.

TOP OF THE WORLD:

 REVIEW: of Doc Watson: A Life in Music by Eddie Huffman (James Ruchala, 1/27/25, Open Letters Review)

Despite becoming blind by his first birthday, growing up in one of the poorest areas of the nation, and relying on government support until middle age, Doc Watson became one of the most influential guitar players of the twentieth century. Watson could “bridge the gap” between the traditional Appalachian tunes he learned from family and neighbors and the music popular with modern urban audiences. As one early manager explained: “While some [folk] singers yowled like a rusty hinge or a deer tangled in a barbed-wire fence, Doc hummed like a well-tuned engine or a purring cat.” His recordings as both a guitar player and a singer are some of the warmest and most accessible to come out of the revival of interest in traditional American folk music forms that started in the early 1960s. 

THE CULTURE WARS ARE A ROUT:

The Gospel According to ‘The Office’: What Dunder Mifflin Teaches Us About Grace, Forgiveness and Cringe-Worthy Community (Taylor Berry, Jan. 27th, 2025, Relevant)


At its core, The Office is a masterclass in relationships—and not the glossy, Hallmark-movie kind. It’s the unfiltered, frequently cringe-inducing reality of human interaction. Grace and forgiveness weave their way through the fabric of this show, often hidden beneath layers of awkward pauses, office pranks and absurd team-building exercises led by Prison Mike.

Think about it: How many times does Michael completely mess up—offending, embarrassing or downright traumatizing his employees—and yet, they stick around? Whether it’s Pam forgiving Michael for outing her pregnancy at a company meeting or Jim patiently enduring Dwight’s endless shenanigans, The Office is a celebration of second chances. It’s about extending forgiveness not because it’s deserved, but because community only works when grace abounds.

Biblically speaking, isn’t that the whole deal? “While we were still sinners, Christ died for us,” says Romans 5:8, a verse Michael probably would have butchered during a motivational speech.

The characters on The Office mess up in spectacular fashion, yet time and time again, they’re welcomed back into the fold—reminding us of the gospel’s radical, all-encompassing grace.

LESS SOUND, PLEASE:

Do You Write, Mr. Faulkner? ( Ron Rash, Feb 7, 2025, Sporting Classics Daily)

This anecdote tells us much about Faulkner, a private man who disdained the attention of intellectuals and literary critics, preferring instead the company of simple, unassuming men who, as he once put it, were not “even very literate, let alone literary.” He was also a man who, as an accomplished hunter and outdoorsman, was much more comfortable in the silence and isolation of the wilderness than in the sound and fury of a city.

The “big woods,” as he called them, offered Faulkner an escape from the pressures of his art, a turbid personal life and, at least late in his life, fame. But the hunt and the wilderness were more than just an escape for Faulkner; they were also an inspiration for some of his greatest literary works.

“He taught the boy the woods, to hunt, when to shoot and not to shoot, when to kill and when not to kill, and better, what to do with it afterward.” —Go Down, Moses, 1942

William Faulkner was probably destined to be a hunter and outdoorsman, for patience, self-discipline and an ability to work in solitude — the traits of both a writer and an outdoorsman, marked his character and temperament. These traits were developed amidst a family and society that made his interest in hunting and outdoors almost inevitable.