Orrin Judd

HE WAS NOT ON TO NOTHING:

Understanding Sigmund Freud’s Id, Ego and Superego (Emilie Le Beau Lucchesi, Nov 9, 2023, Discover)

Exploring the Id
The first part, the id, was both innate and unconscious. Freud saw it as the driving force behind a person’s impulse to satiate their desires. The id wasn’t conceptualized as something that regulated or judged a person’s needs or wants. Rather, the id was the animalistic compulsion to seek pleasure and satisfy impulses.

The Development of the Ego
The ego began to develop within the first few years of a child’s life, Freud argued. The ego was the person’s sense of self, and it had to negotiate between the id’s impulses and the superego’s cautious urgings to not act in ways that would be socially unacceptable.

Understanding the Superego
Around the age of six, Freud theorized that a person’s superego began to form. Freud saw the superego as a guardian that pressured the ego to resist the id’s impulses in order to fit social norms.

Perhaps best thought of this way: The id is pure desire; the ego is the personal limitation on acting out those desires; and, the supego is the societal limitations. The rest is bunk.

THE CULTURE WARS ARE A ROUT:

‘The Curse’ Is a Vicious, Delicious Parody of Lefty Do-Gooderism (Claire McNear,
Nov. 13th, 2023, The Ringer)

I’d argue that the real tension, however, is in watching the Siegels’ elaborate value system—one that a certain cable news network might be inclined to describe as “woke”—crumple piece by piece. The Siegels represent a richly painted satire of conscientious do-gooderism: Whitney, for example, is the sort of person to sharply correct her husband when he says “homeless” instead of “unhoused” or to use clumsy Spanish to praise the food at a local restaurant.

It’s well meaning—or at least the Siegels think that it is. Much of the joy of The Curse is watching as the pair try and fail to square their bleeding-heart sympathies with the reality that those hearts might not be completely in the right place.

Accepting that you’ve won can be nearly as difficult as accepting loss.

THE SLOPE ALWAYS SLIPS:

“Terminalism” — discrimination against the dying — is the unseen prejudice of our times: In hospice care and hospitals, we prioritize those with more life to live over those who are terminally ill. What is that, if not prejudice? (Jonny Thomson, 11/11/23, Big Think)

Reed believes that a lot of people will find it somewhat ridiculous to call these instances a kind of discrimination. When presented with limited resources, surely it’s better to focus on those who have longer to live? In other words, isn’t it okay to value longevity over the moribund?

Reed calls this a structural “terminalist prejudice,” with little philosophical justification for it. He argues that “many of us tend to think, explicitly or implicitly, that a worthwhile life involves both the kind of life that has a future and also enables a person to ‘contribute meaningfully’ to society.”

We don’t want to see ourselves as cruel or prejudiced. We don’t want to accept that we are privately and socially devaluing human life based on our terminalist biases. Dying people are human beings as well. They have brothers and sisters; sons and daughters; or wives and husbands. They read books, watch TV, talk, laugh, and reminisce. If all humans have rights, the dying have rights, too. They are valuable in themselves, not for some abstract, unknown “contribution” they might make. As Reed puts it, “The reason that terminalism matters is that dying persons matter.”

“Life unworthy of life” as the Nazis called it.

GO EAST, YOUNG MEN:

REVIEW: of Play All Night! by Bob Beatty (Charles Caramello, December 3, 2023, Washington Independent Review of Books)

Play All Night! instead weaves a complex story about Allman as a visionary “musician and band leader,” ABB as the vehicle and incarnation of his vision, and ABB’s performances at Fillmore East in March 1971 and the resulting live album At Fillmore East “the truest fulfillment” of it.

Beatty first tracks Duane through his apprenticeship with cover bands on the Southern circuit; his journeyman work with his band Hour Glass; his return to the South after a rough year in California; and his creation of the Allman Brothers Band. Beatty then tracks ABB through two years of fruitful touring and two studio albums (critical successes but commercial failures), to the seminal gig at Fillmore East and Duane’s death, on its heels, in a motorcycle accident. An epilogue traces ABB from its peak in the early 1970s through a low point in the 1980s and revival in 1989, to a second peak, with a fine new line-up, from 2001 to 2014.

In Duane’s vision, as Beatty portrays it, ABB would focus on “musical virtuosity” and on “individual expression through live improvisational music,” not on “chasing pop hits.” It would play countless (often free) concerts, using the stage, rather than the studio, as rehearsal space, and making “audiences an important part of the music.” And it would be egalitarian, each member having license in playing style and access to playing time, with Duane as “leader” but not frontman — “allies working together,” as Duane put it, “sharing a mutual love.”

As time has proven, ABB realized Duane’s vision of profoundly organic and communal music; “six musicians in deep, constant musical conversation in front of an appreciative audience,” in Beatty’s words. As Gregg Allman put it:

“We played for each other, we played to each other, and we played off each other.”

Such demanding, rigorous, and bold improvising, with each musician “staying in the moment while simultaneously anticipating where the music is headed,” when done right, resulted in “hittin’ the note,” the band’s term for the elusive moment, musical and spiritual, when all elements perfectly align.

IT’S IMPOSSIBLE TO OVERSTATE DEFLATIONARY PRESSURES:

The Medical-Robotics Revolution (Jonathan Shaw, Apr. 6th, 2022, Harvard Magazine)


What if a cardiac surgeon could operate on a beating heart without opening the patient’s chest? Or a flexible robot could navigate the delicate branching of blood vessels, or bronchi in the lungs, and then stiffen to perform surgery at its tip? Or a magnetic field could be engineered to drive a plaque-clearing robot inside a person’s arteries?

These kinds of innovations are already in the vanguard of the field of medical robotics, says professor of surgery Pierre Dupont, a leading designer of robotic systems for use in healthcare. “I thought of going into medicine instead of engineering,” he admits, “so when I had the chance to combine the two, it was a fantastic opportunity.” The field encompasses precision instruments that can be deployed by doctors inside the human body for visualization, diagnosis, and treatment, but also patient-focused inventions, from handheld devices that let diabetics control their blood sugar to wearable robots that help stroke patients walk again.

Not all these achievements will make it from the lab. But gradual trends are emerging: toward increasing autonomy for the robots themselves, and greater personalization for users, whether as patients or providers of healthcare.

Above average is over.

SMELLS LIKE AMERICAN SPIRIT:

After 3 years of pain, America has finally achieved economic nirvana (Neil Dutta, Dec 3, 2023, Business Insider)


The signs of a well-balanced economy are everywhere. The most obvious example is the slowdown in inflation. The core consumer price index, the widely cited measure of inflation that strips out volatile categories such as food and energy costs, has risen since June at an annualized rate of 2.8%, roughly half the pace heading into the year. And there are clear signs of continued disinflation on the horizon: Wholesale auction prices for vehicles imply used-car prices could start to come down, private measures of rent prices suggest that housing inflation will continue to cool off, and an improvement in supply chains suggests prices for core goods outside cars, including washing machines and clothes, will ease.


Another positive signal is coming from productivity data, which measures a worker’s output within an hour. Productivity growth strengthened notably in the third quarter, hitting its highest nonrecession level since 2003, and appears to be growing in line with its pre-pandemic trend. The growth in the number of hours people are working has slowed, but output has been steady, meaning people are accomplishing more in less time. This boom in productivity means that as workers get more efficient, businesses can give employees pay raises without having to turn around and pass on those increased labor costs to consumers in the form of price hikes.

While things are slowing in the labor market, it’s not enough to cause a panic about unemployment. The October jobs report — with the economy adding just 150,000 jobs and the unemployment rate ticking up to 3.9% — was a disappointment. Of particular notice, the unemployment rate has increased by half a percentage point over the past six months. The uptick in joblessness is close to triggering the Sahm rule, which states that the economy is in recession when the average rate of unemployment over the prior three months is half a percentage point above its prior 12-month low. The current three-month average is 3.8%, a meaningful uptick from the low point of 3.5% in April but not quite high enough to hit the 4% average needed to trigger the rule.

But the job market isn’t all bad news. Over the past three months, average hourly earnings for all employees have jumped 3.2% — a strong number for American workers that’s broadly consistent with the Fed’s long-term inflation objectives. It’s also highly likely that the last employment report understated the growth in nonfarm payrolls since tens of thousands of workers were on strike. (You need to be on the job to be counted as employed.)

Woke books are a flop with readers (Nick Tyrone, Dec. 4th, 2023, Spiked)


An article in the Daily Mail confirms something many of us have seen coming for a long time. It reveals that scores of woke books published by major houses have been flopping. As it turns out, publishers have been throwing money at books that no one actually wants to buy. It shows that the mantra of ‘go woke, go broke’ applies even in the publishing industry.

The shining example of this is Pageboy, the memoir by Elliot (formerly Ellen) Page, an actor famous for ‘coming out’ as transgender. According to the Mail, Pageboy has sold 68,000 hard copies. That might seem like a lot of books, but context is important here. Selling 68,000 copies would have a small indie publisher popping open the champagne. But for a huge house like Macmillan, which published Pageboy earlier this year, these kinds of numbers are embarrassing.

Crucially, Page was given a $3million advance for Pageboy. As a rough estimate, Macmillan would have needed to sell about 500,000 copies to break even. I’m being generous here, and probably vastly underestimating the promotional budget for the book – another huge additional cost. An advance of that amount tells you the publisher thought the book was going to sell millions. Yet all available sources point heavily to the fact it has not.

Publishing is now littered with these kinds of stories.

MAGA is going to need help untwisting their panties.

ENTERTAINING A PURITAN NATION:

The Existential Foundations for Science Fiction (Tyler Hummel, 12/02/23, Voegelin View)

[M]ore challenging and artistically complex cinema is still being made and wildly embraced. In the past decade, a number of surprisingly challenging and thematically complex works of science fiction have broken out into mainstream popularity in a manner that would seem surprising, were it not that this small wave of intelligent films seems to have momentarily crested.


This cluster is the subject of SUNY Polytechnic Institute associate professor Ryan Lizardi’s new book Existential Science Fiction, which offers a narrow but meaningful unpacking of this strange trend. As he argues, between 2012 and 2019, audiences received numerous high-budget science fiction films that managed to be both audience-pleasing spectacles and high-minded examinations of the nature of identity and human connection—these including Prometheus, Gravity, Interstellar, The Martian, Arrival, Blade Runner 2049, Annihilation, and Ad Astra.


Lizardi defines “existential” as “[what] it means to exist as a human being.” These films all come from different philosophical backgrounds, but what they share in common is a desire to muse on difficult questions about what it truly means to be human. These films, despite their science-fiction dress, are fundamentally about us, as human beings. As our author writes,

What is it about our current cultural landscape that fosters content dealing directly with questions about our identity, our memory, our continuity of self, but does so through the setting of science fiction and space exploration? These works seem to be leveraging the external trappings of the science fiction genre … to explore internal thematic ideas of reaching without and within ourselves to find a continuity of our individual and collective identities.

The trend doesn’t stop with cinema. He also identifies the video games Assassins Creed, Bioshock, Soma, and Death Stranding as high-concept science fiction games worthy of discussion and extends his study to include the television shows Legion and Westworld. Lizardi doesn’t necessarily thread the needle of this trend with any sort of theories as to why this trend happened. He acknowledges fully that Hollywood is a capitalist industry and that these trends are likely profit-driven more than intentional, particularly given the diversity of the artists and mediums behind this trend.

The point being where profit lies: the Culture Wars are a rout.

WE JUST QUIBBLE OVER THE DESIGNER:

PODCAST: Philip Goff — The Purpose of the Universe (Michael Schermer Show, 12/02/23, Skeptic)

In contrast to religious thinkers, Goff argues that the traditional God is a bad explanation of cosmic purpose. Instead, he explores a range of alternative possibilities for accounting for cosmic purpose, from the speculation that we live in a computer simulation to the hypothesis that the universe itself is a conscious mind. Goff scrutinizes these options with analytical rigour, laying the foundations for a new paradigm of philosophical enquiry into the middle ground between God and atheism. Ultimately, Goff outlines a way of living in hope that cosmic purpose is still unfolding, involving political engagement and a non-literalist interpretation of traditional religion.

GLOBALIZATION IS AMERICANIZATION:

America’s undying empire: why the decline of US power has been greatly exaggerated (Tom Stevenson, 30 Nov 2023, The Guardian)

The US has military superiority over all other countries, control of the world’s oceans via critical sea lanes, garrisons on every continent, a network of alliances that covers much of the industrial world, the ability to render individuals to secret prisons in countries from Cuba to Thailand, preponderant influence over the global financial system, about 30% of the world’s wealth and a continental economy not dependent on international trade.

To call this an empire is, if anything, to understate its range. Within the American security establishment, what it amounted to was never in doubt. US power was to be exercised around the world using the “conduits of national power”: economic centrality, military scale, sole possession of a global navy, nuclear superiority and global surveillance architecture that makes use of the dominant American share of the Earth’s orbital infrastructure.

If proponents of the end of the US global order do not assert a decrease in the potency of the instruments of American power, that is because there has been no such decrease. The share of global transactions conducted in dollars has been increasing, not declining. No other state can affect political outcomes in other countries the way the US still does. The reach of the contemporary US is so great that it tends to blend into the background of daily events. In January 2019, the US demanded that Germany ban the Iranian airline Mahan Air from landing on its territory. In September 2020, it sanctioned the chief prosecutor of the international criminal court for refusing to drop investigations into American citizens. In February 2022, at US request, Japan agreed to redirect liquefied fossil gas, which is critical to Japanese industry, to Europe in the event of a conflict with Russia over Ukraine. At the height of that conflict, the secretary of state, Antony Blinken, found the time to visit Algiers to negotiate the reopening of a gas pipeline to Spain via Morocco. These were all quotidian events, unremarkable daily instances of humdrum imperial activity. The practical operation of the empire remains poorly understood, not despite its ubiquity, but because of it.

From this perspective, the menial adherence of Britain to the US global project is at least intelligible. Historically, American planners divided their approach to the rest of the world by region. In western Europe and Japan, American interests were usually pursued by cautious political management. In Latin America and the Middle East, constant interventions, coups and invasions were needed. In east Asia and south-east Asia there was military exertion at scale. As long as it lasted, the Soviet Union was cordoned off and contained, against the wishes of the generals in the US Strategic Air Command, who would have preferred to destroy it in a nuclear holocaust. The major US allies were on the right side of this calculus and had less reason to begrudge it.

When dealing with the US, elites in countries on the periphery of the global economy still often behave as though they are dealing with the imperial centre.

It’s not just that other nations aspire to be like America but that the only way to achive that is Americanization. No one can escape the End of History in the long run.