March 2024

ONE FOR MATTEO:

San Marino: ‘The ultimate dream’ – world’s worst national football team chase first win for 20 years (Harry Poole, 3/1/24, BBC Sport)


It is approaching 17 years since San Marino captain Matteo Vitaioli, the player with the most appearances in the country’s history, first represented his national team. He is yet to celebrate a victory.

Two decades and 136 games interspersed with crushing defeats and the odd near-miss have passed since San Marino, the world’s fifth-smallest country, recorded the only win in the team’s history.

“The worst memory was the match away to the Netherlands in 2011, which ended 11-0,” Vitaioli tells BBC Sport. “It was already eight or nine with a lot of time left and I remember the supporters cheering on the Netherlands to see more goals.”

Surrounded by Italy and overlooked by the spectacular Mount Titano, San Marino has a population of just 33,000 and covers a mere 61 square kilometres – roughly half the size of Manchester.

According to Fifa’s rankings, it is home to the world’s worst national football team – one which has lost 192 of the 201 fixtures it has contested.

But Vitaioli and his team-mates have the chance to write a new chapter for their country this week when Saint Kitts and Nevis – the Caribbean nation 63 places above 210th-ranked San Marino – visit for two friendly matches.

MASTER CLASS:

An unvarnished insight into the mind of Sonny Rollins (Philip Clark, 3/17/24, the Spectator)

[A]s jazz was becoming increasingly conceptual, Rollins was concerned that too many musicians were neglecting the basics. His goal was not revolution — he was motivated to achieve complete technical “mastership.”

The extent to which Rollins obsessed over the tiniest of technical details on his saxophone runs through the book. One minuscule finger movement could be enough to alter the resonance of a particular note either radically or indeed so faintly you’d need the ears of a bat to perceive it — and Rollins was open to both. This extended to his pushing his instrument beyond where recognized technique could function, to a point where the instrument operated but only in theory. Experimenting with bouncing the same note between different octaves, he described “higher notes that I have not figured out yet,” then scheduled time to explore beyond where his instrument normally sounded. Perhaps he could locate those notes, perhaps he couldn’t, but it was the endeavor that mattered.

Early in the book another theme emerges: his regret at the lowly lot of the jazz musician. All these decades later, figures like Rollins and Coltrane have become icons, but back in the day “the working conditions of many great jazz musicians are very, very far… below par!” he mourns. Making transcendent art in nightclubs, which were operated largely by shady characters “closely associated with underworld elements,” created inescapable tensions between goals of artistic purity and the brutal economic truth that jazz clubs, for the mob, were all about making money, exercising control and selling drugs.

Rollins’s high ideals rubbed uncomfortably against reality. Jazz, he explains, is “the music of America created by Americans for the edification of all of mankind.” As with many musicians, including Duke Ellington and Miles Davis, the word “jazz” became a bugbear to him, a label used, often cynically, to hold the ambitions of black musicians at bay, to retain them as “entertainers” — to put clear boundaries between black culture and the great Western tradition of Bach and Beethoven.

Rollins is clear that “mustn’t we start speaking of MUSIC and not jazz.” This music was “All American.” And although it’s of black origin, care must be taken “not to synonymize Negro and Jazz and not depict Jazz as a Negro product.” As Rollins unpicks the techniques of Indian music, you realize how deeply he believed that jazz also needed to reach out beyond America itself.

RETURN TO THE ELLIS ISLAND MODEL:

This Is a “Solvable” Crisis: Denver’s Mayor on How the City Is Handling Migrant Arrivals (Isabela Dias, 3/18/24, MoJo)

Johnston spoke with Mother Jones about Denver’s approach to migrant arrivals, the bipartisan border deal blocked by Republicans, and why this is a “solvable” crisis:

Texas Gov. Greg Abbott’s political stunt of sending migrants to blue cities across the country had the effect of “interiorizing” the border, leading to responses like New York Gov. Eric Adams’ statement that the “migrant crisis” was going to destroy the city. What do you make of that?

That’s not our belief. We think this is a deeply solvable problem and we think the problem is not attributable to the people who are walking 3,000 miles to try to seek asylum from a country that’s persecuting them and making it impossible to survive.


We think Denver can not just survive but thrive with these newcomers arriving.

We just need a couple of key components. That’s what we pushed the federal government for. We need more work authorization. The biggest problem we have is folks who arrive in the city and tell me, “Mr. Mayor, I don’t want any help, I just want to work.” At the same time, CEOs will call me and say that they have open jobs every day that they can’t fill, and they want to be able to hire the migrants that are here. The only problem is we have the federal government standing in the way of hard-working employees who want to work and employers who want to hire them, and the government’s refusing to let them do that. We need federal resources to help us support people.

And we think there should be a coordinated plan for entry. We don’t think that the governor of Texas gets to decide where every person in America ends up. Whenever we’ve had other waves of asylum seekers, we’ve created a distribution plan that allows them to find cities that have resources. We looked at the examples from Ukrainian refugees or Afghanistan refugees and a coordinated federal response that provided work authorization and resources and connected to cities based on their capacity. We were trying to get at least one of those three things in place. Unfortunately, the bipartisan Senate bill that would have helped do that, President [Donald] Trump and the House Speaker came in to kill, which was an injustice for both our newcomers and for our cities. But we’ve found a path forward despite that and we think there’s still a way to help serve newcomers well and prevent the financial crisis in our city. We’re well on our way to resolving that now.

IT’LL NEVER FLY, ORVILLE:

Chart of the Day: California surges beyond 100 pct renewables (Giles Parkinson, Mar 18, 2024, Renew Economy)

[C]alifornia, the world’s biggest sub-national economy, and the fifth biggest in the world if it were a country, is also setting new benchmarks for renewables, with its wind, solar and hydro resources more than matching demand over the past week.

According to Mark Jacobsen, the Stanford University academic who has outlined plans for wind, water and solar to provide the bulk, if not all, electricity needs in countries across the globe, California’s wind, water and solar resources have bested 100 per cent of local demand for varying periods in nine of the last 10 days.

On Sunday, California time, the peak was 115 per cent of demand and wind, water and solar beat demand for five solid hours.

Jacobsen says that wind, water and solar have accounted for more than 100 per cent of state demand for between one and six hours for nine out of the last 10 days. And that is one in the eye for all the naysayers.

“In 2009, when we first proposed 100% WWS, the utilities and naysayers claimed the grid would go unstable with more than 20 per cent renewable energy, with no evidence,” Jacobsen wrote on X.

“In 2017, they claimed, with no evidence, a limit of 80 per cent. In 2020, they claimed 90%, then 95% . Now 100% WWS is here to stay.”

OPEN SOURCE IT ALL:

A Comedy of Bureaucratic Errors : Slow Horses is a spy thriller worthy of Gordon Tullock. (g. patrick lynch, 3/15/24, Law & Liberty)

Until the 1960s, scholars modeled individuals in the public sector as public-spirited in their motivations and work. One of the founding fathers of public choice, the irascible Gordon Tullock worked in the US foreign service in China after completing law school. That experience, and his general skepticism about—well—everything, prompted him to turn his attention to the administrative state. Tullock and his Nobel prize-winning co-author James Buchanan built a model of politics that posited politicians and bureaucrats as self-interested rather than public-spirited and rational rather than angelic. They also included the idea that politics is an exchange process, much like a market. Using those two assumptions, they turned the world of political analysis upside down.

Tullock’s career was illustrious and varied. His work on bureaucracies included two important books studying the administrative state that provided fresh ways to analyze the government agencies that all of us caricature from time to time. We know that the public sector can be inefficient and sclerotic. Bureaucrats avoid responsibility and try to claim credit, and without market signals, the quality of their work is difficult to judge. Taking those institutional constraints and assuming individuals are not angels once they are hired by the government, Tullock argued that bureaucrats work for the same reasons all of us do: to make a living, be happy with our work, and gain the esteem and approbation of others. Because metrics to measure “good” work are hard to find in large non-market organizations, promotion is often more about flattery, popularity, and serving your superior’s wishes, which can lead to consensus views and uniformity of opinion, even incorrect ones.

Faulty opinions and unconstrained loyalty loom large in Herron’s world, and he balances realism with a dark humor that’s smart and frequently disarming. I doubt he is familiar with Tullock’s work, but they are kindred spirits in their pursuit of a more realistic way of understanding modern life within large institutions. The premise of the show illustrates another key insight of Tullock: it’s almost impossible to fire incompetent bureaucrats. Slow Horses is based on a fictitious place where MI5 sends those agents who have messed up. Rather than trying to fire them, the flawed agents are sent to a building called “Slough House” run by the aforementioned Jackson Lamb. Lamb is something to behold. He hilariously curses, ridicules, and mocks. But he is also gifted and revered even among the leadership of MI5. Under all of his bluster and cynicism, he helps guide the group in each season through the dangers of spying to endings that might not be “happy” but avoid as much carnage and chaos as possible.

IT’S NOT ABOUT HAMAS:

Allegations UNRWA collaborated with Hamas are ‘flat-out lies’: Van Hollen (MIRANDA NAZZARO, 3/17/24, The Hill)


Sen. Chris Van Hollen (D-Md.) ripped into Israel’s allegations that the U.N.’s Palestinian refugee agency, commonly referred to as UNRWA, is a proxy for the Palestinian militant group Hamas, arguing the accusations are an attempt by Israeli Prime Minister Benjamin Netanyahu to eliminate the agency.

“There’s no doubt that the claim that Prime Minister Netanyahu and others are making, that somehow UNRWA is a proxy for Hamas, are just flat-out lies,” Van Hollen said Sunday in an interview on CBS News’s “Face the Nation.” “If you look at the person who’s in charge of operations on the ground for UNRWA, it’s about a 20-year U.S. Army veteran. You can be sure he’s not in cahoots with Hamas.”

Which was obvious from the beginning when Israel failed to offer any evidence.

“YOU’RE SOAKING IN IT”

The Religion That Remade the World: a review of Dominion by Tom Holland (John F. Doherty, 2/07/24, Public Discourse)

The thesis of Dominion, like that of Christopher Dawson’s Progress and Religion, is that the Enlightenment’s account of “progress” is a myth. Everything on which modern Westerners pride themselves—the separation of politics from religion, respect for the dignity of each human being, and a zeal to eradicate injustice—traces its origins not to secular reason and science, but to the Christian faith.

The concept of human rights started not in revolutionary politics but in the canon law of the medieval Catholic Church—a law rooted in the belief that man is made in God’s image and that God took on human flesh in Jesus. European Christians enslaved non-Europeans, but their worship of the God-man who let himself be crucified, stung their consciences so much, or so inspired those they oppressed to revolt, that slavery and colonialism eventually died out. It was also Christianity, not 1960s feminism, that elevated women’s status in society and marriage, through the veneration of women saints like Macrina of Cappadocia, Catherine of Siena, and Mary the Mother of Jesus.


Even apparently anti-Christian Western movements are inescapably Christian. Secularism would not have been possible unless Jesus had distinguished “the things of God” from “the things of Caesar.” Disbelief in the miraculous began with Christian wonder at the wisdom of nature as God created it: why look for extraordinary interventions of God on earth when creation itself is miraculous enough? Progressivism’s zeal for social reform began in the Protestant Reformation, which itself continued the medieval clerical reform movements that were begun by Pope Gregory VII.

No Imago Dei, no basis for rights.

GET OUT OF YOUR OWN HEAD:

Identity Satiation: Some rarely discussed phenomena can shed light on why the focus on identity and introspection has coincided with a rise of mental health issues, including identity disorders. (Brandon McMurtrie, 8 Mar 2024, Quillette)

This well-studied phenomenon—sometimes called “inhibition,” “fatigue,” “lapse of meaning,” “adaptation,” or “stimulus satiation”—applies to objects as well as language. Studies have found that compulsive staring at something can result in dissociation and derealization. Likewise, repeatedly visually checking something can make us uncertain of our perception, which results, paradoxically, in uncertainty and poor memory of the object. This may also occur with facial recognition.

Interestingly, a similar phenomenon can occur in the realm of self-perception. Mirror gazing (staring into one’s own eyes in the mirror) may induce feelings of depersonalization and derealization, causing distortions of self-perception and bodily sensation. This persistent self-inspection can result in a person feeling that they don’t recognize their own face, that they no longer feel real, that their body no longer feels the same as it once did, or that it is not their body at all. Mirror-gazing so reliably produces depersonalization and realization (and a wide range of other anomalous effects), that it can be used in experimental manipulations to trigger these symptoms for research purposes.

This effect doesn’t only occur with visual self-inspection, but with mental introspection too. I call this “identity satiation.” It has been studied for thousands of years and it is the basis of many Buddhist and other spiritual practices. It has long been understood that extended periods of introspection and self-contemplation result in a sense of identity-loss and a disorder known as “depersonalization-derealization” with eerily familiar symptoms. Depersonalization-derealization affects “your ability to recognize your thoughts, feelings and body as your own.”

It should not be surprising, then, that rumination—a persistent introspection and compulsive focus on one’s internal sensations, thoughts, or identity—is a hallmark of anxiety disorders of various kinds, including depersonalization-derealization. People who engage in compulsive introspection can become increasingly uncertain, anxious, and confused. […]

In other words, the proliferation of therapy culture and compulsive introspection, intended to encourage self-knowledge and mental well-being, may in fact be more like the poison than its antidote.

Psalm 27 as the Solution in the Struggle Over Self-Image (JOE COSATO, MARCH 04, 2024, Center for Faith & Culture)

In beholding our God, we will be captivated by his glory so that the troubles and pressures which surround us will begin to fade. When we are captivated by him, we become free to cherish, love, and delight in all that he is, forgetting ourselves and striving more and more for him.

This is the same path that Tim Keller urges us down. Avoiding too high or low view of self-image, Keller finds a middle way to wholeness and freedom: “A truly gospel-humble person is not a self-hating person or a self-loving person, but a gospel-humble person.”[1] Keller’s point resonates with Psalm 27, Freedom isn’t found in elevating or diminishing our self-image. Instead, freedom is found in forgetting ourselves! Freedom is had in being captivated by the beauty of Christ, rather than being held captive by the ideals we make for ourselves.

A COMEDY OF CONSTANT SORROW:

Another Kind of Vision: Forgiveness in Genesis (Marilynne Robinson, February 27, 2024, Commonweal)

The book of Genesis begins with the emergence of Being in a burst of light and ends with the death and burial of a bitter, homesick old man. If there is any truth to modern physics, this brings us to the present moment. Disgruntled and bewildered, knowing that we derive from an inconceivably powerful and brilliant first moment, we are at a loss to find anything of it in ourselves. God loved Jacob and was loyal to him, no less for the fact that Jacob felt the days of his life, providential as they were, as deep hardship. […]

Genesis can hardly be said to end. In it certain things are established—the nature of Creation and the spirit in which it was made; the nature of humankind; how and in what spirit the Creator God enters into relation with His human creatures. The whole great literature of Scripture, unfolding over centuries, will proceed on the terms established in this book. So Genesis is carried forward, in the law, in the psalms, in the prophets, itself a spectacular burst of light without antecedent but with a universe of consequences. This might seem like hyperbolic language to describe a text largely given over to the lives of people in many ways so ordinary that it is astonishing to find them in an ancient text. This realism by itself is a sort of miracle. These men and women saw the face of God, they heard His voice, and yet life for them came down to births and deaths, love, transgression, obedience, shame, and sorrow, everything done or borne in the course of the characterization of God, for Whom every one of us is a child of Adam, made in Hisimage. God’s bond with Jacob, truly a man of sorrows, is a radical theological statement.