June 3, 2024

FORGIVENESS (profanity alert):

On the Music of John Prine (Erich J. Prince, 06/02/2024, Merion West)

For me, though, there is one Prine song I find the most philosophical, though many of his songs do indeed have that bent. (Being born in the 1990s, I often—and I’m told this is to my great detriment—think of artists in terms of their songs rather than their albums, but maybe this will one day change.) The song is “Fish and Whistle,” the first track on his 1978 album Bruised Orange:

“Father forgive us
For what we must do
You forgive us
We’ll forgive you
We’ll forgive each other
Till we both turn blue
Then we’ll whistle and go fishing
In heaven.”


Along with Leonard Cohen’s “Suzanne,” “Dona, Dona,” and Simon & Garfunkel’s “America,” I consider “Fish and Whistle” to be among the most lyrically profound songs of the second half of the 20th century, as stiff of competition as there might be. Prine, the amateur theologian of the Heartland, wonders aloud: Our faith tells us we must constantly ask God for forgiveness, including often for our peccadilloes, but might He apologize to us for the cancer that takes a child, the car accident that destroys a family, or the wars that bring continents to their knees?

ALL IT DID WAS BECOME DISORDERLY:

On Beauty and Imitation (Daniel McInerny, June 3rd, 2024, Imaginative Conservative)

Art as address to sacred order saw itself, to borrow a term from J.R.R. Tolkien, as sub-creation. It was human making done from materials provided by sacred order, for the sake of contemplating and celebrating that order, under the aspect of its beauty.

Such work was driven by an understanding of art as mimēsis. This Greek word is often translated as “imitation” or “re-presentation.” Art as mimesis re-presents, makes present again, the sensible and intelligible forms of things in media other than their own, for the sensible and intelligible delight of an audience.

When we take in Hans Holbein the Younger’s portrait of Sir Thomas More, Thomas More is truly present in the portrait. Not, of course, in all his living three-dimensionality. But the sensible look of his features, and of his bearing, are right there, amazingly, on Holbein’s two-dimensional canvas, as are, even more amazingly, certain signs of the character of the man who would not sacrifice God’s law to the whims of a human prince.

But then one day, something happened to culture and to art.

Culture no longer saw itself as the address to sacred order. Indeed, culture began to style itself as emancipation from that order.

THINGS HAVE NEVER BEEN EASIER:

Here’s how long it takes workers to become 401(k) millionaires: The number of people who crossed the seven-figure mark hit an all-time high in the first quarter, though retirement savings surged across the board. (Michelle Singletary, May 31, 2024, Washington Post)

The millionaires have an average contribution rate of 17 percent.

Fidelity said record-high contribution levels and positive market conditions pushed average account balances to their highest levels since the fourth quarter of 2021.

In the most recent quarter, total average 401(k) savings rates reached a record high of 14.2 percent, driven by employee and employer 401(k) contributions.

This savings rate is a milestone. It’s the closest it has ever been to Fidelity’s recommendation that workers contribute at least 15 percent of their gross income to their workplace plan. This could include a combination of their savings and a matching contribution from their employer.