Religion

A COMEDY OF CONSTANT SORROW:

Another Kind of Vision: Forgiveness in Genesis (Marilynne Robinson, February 27, 2024, Commonweal)

The book of Genesis begins with the emergence of Being in a burst of light and ends with the death and burial of a bitter, homesick old man. If there is any truth to modern physics, this brings us to the present moment. Disgruntled and bewildered, knowing that we derive from an inconceivably powerful and brilliant first moment, we are at a loss to find anything of it in ourselves. God loved Jacob and was loyal to him, no less for the fact that Jacob felt the days of his life, providential as they were, as deep hardship. […]

Genesis can hardly be said to end. In it certain things are established—the nature of Creation and the spirit in which it was made; the nature of humankind; how and in what spirit the Creator God enters into relation with His human creatures. The whole great literature of Scripture, unfolding over centuries, will proceed on the terms established in this book. So Genesis is carried forward, in the law, in the psalms, in the prophets, itself a spectacular burst of light without antecedent but with a universe of consequences. This might seem like hyperbolic language to describe a text largely given over to the lives of people in many ways so ordinary that it is astonishing to find them in an ancient text. This realism by itself is a sort of miracle. These men and women saw the face of God, they heard His voice, and yet life for them came down to births and deaths, love, transgression, obedience, shame, and sorrow, everything done or borne in the course of the characterization of God, for Whom every one of us is a child of Adam, made in Hisimage. God’s bond with Jacob, truly a man of sorrows, is a radical theological statement.

THE REFORMATION ROLLS ON:

REVIEW: On Muslim Democracy: Essays and Dialogue by Andrew F March and Rached Ghannouchi (Usman Butt, 3/11/24, MEMO)

Ghannouchi makes a critical shift in his political thinking from Islamism to Muslim democracy. He no longer seeks to create the ideal Islamic state. Instead, he is looking at core principles in light of democratic, pragmatic and pluralist Tunisia with all its virtues and flaws. March describes meeting Ghannouchi as being with a great living historical thinker, and insists that he should be considered in wider conversations about Muslims and democracy.

“Ghannouchi’s political theory was noteworthy for the role he imagined for an active, engaged, and deliberative democratic populus,” explains March, who argues that Ghannouchi breaks with dominant Western philosophical approaches to democracy. “Unlike Montesquieuian and Madisonian theories of the separation of powers and institutional pluralism as the ultimate check against tyranny, Ghannouchi had long stressed public virtue and public opinion.”

However, Ghannouchi also breaks with Islamic theorists. “Unlike traditional Islamic theories that placed custodianship of the law in the hands of jurists exclusively, Ghannouchi imagined the realisation of Islamic law as largely a public deliberative process involving not only experts but also ordinary citizens-believers.”

The latter idea has undergone an evolution with Ghannouchi seeing elected parliamentary members as being the check on authoritarianism. In my view, though, the “citizens-believers” bestow authority on the members of parliament, who then carryout this function, and so Ghannouchi’s current line of thinking is not a million miles away from his original line. Ghannouchi insisted on the popular will as part of the process of realising Shariah and being essential for governance, which puts him at odds with a number of Islamist thinkers.

Accepting the imperfectability of the Ummah is the whole magilla.

…AND NOT EVEN THEN:

Aging Gracefully, Infinity, and the Oceanic Feeling (John Allen Paulos, Mar. 4th, 2024, 3Quarks)

These metaphors of infinity and aging undermine our exaggerated pretensions and mundane obsessions, and may even force us to view ourselves in something like the way we view the dilapidated statue of the boastful pharaoh Ozymandias.

Of course, I’m getting ahead of myself, perhaps like the woman writing her son a very long letter in the middle of which she congratulates him on taking a speed reading course and adds that because of the course he’s probably already finished reading her letter. Life, like the letter, isn’t over until it’s over.

BEAUTY IS OBJECTIVE:

We Built Ugly Churches and Still Do Not Attract Young People: How Is This Possible?
(ITXU DÍAZ, February 16, 2024, American Spectator)

[B]eyond grace, if anything moves the affections of man, if anything can lead our feelings toward God, it is the aesthetics. There is an official liturgy, to avoid abuses and doctrinal errors, to guarantee respect for the Holy Sacrament, but also so that we learn to approach God, not only with the soul, but also with the senses. Beauty is paramount. St. John Paul II wrote about it in his 1999 Letter to Artists:

In perceiving that all he had created was good, God saw that it was beautiful as well. The link between good and beautiful stirs fruitful reflection. In a certain sense, beauty is the visible form of the good, just as the good is the metaphysical condition of beauty.

If the aesthetic and the emotional were not important, they would not have been a priority target of the enemies of God in postmodern times.

THE OPEN QUESTION IS WHETHER MOHAMMED WAS:

Was Jesus a “Jew”? (Yonatan Adler, 2/19/24, Yale University Press)

Was Jesus a “Jew”? The internet has been abuzz over this curious question in recent months. Many of those involved in the discussion have claimed that there were simply no “Jews” at all so long ago. Some have opined that Jesus was a “Judean,” an identity-category they suppose was entirely different from what we know of as “Jews.” Others have argued that Jesus was neither this nor that, but was rather a “Galilean.” Still others have claimed that he was none of the above, but instead a “Palestinian.”

The current debate had something of an earlier iteration under the Third Reich, where German scholars found themselves forced to wrestle with the apparent Jewishness of the Son of God. Nazi academics found a solution to this thorny problem by demonstrating through historical “scholarship” that Jesus was descended not from Jews … but from pure “Aryans” who migrated into Galilee from Persia!1

By this point it should be clear that all these spurious claims say more about certain deep-seated beliefs about modern-day Jews than they do about any historical reality. And that historical reality could not be clearer. For at least 2,700 years, the ancestors of today’s Jews have self-identified, and have been identified by others, with the Hebrew name “Yehudim” or its equivalent in other languages.

THE LESSON THE CROSS TAUGHT:

Thinking as a Human Being: a review of Thinking about Thinking: Mind and Meaning in the Era of Techno-Nihilism by James D. Madden (David Weinberger, 2/25/24, University Bookman)

First, thinking is not something we do in isolation. Rather, thinking entails being involved in the world. For example, to think about a summer cabin requires actual acquaintance with such a cabin, either directly (by, say, having gone to one in the past) or indirectly (by, say, a friend who has a cabin and who has shared her experience of it). Second, all thought is inextricably bound up in a web of other concepts unique to one’s personal history. For example, one’s thought of a summer cabin may entail concepts not only of “summer” and “cabin,” but also of boating, family adventures, board games, swimming, lying on the dock, bonfires, gazing at stars, laughing with friends, and myriad other concepts tied to one’s own experiential history of summer cabins. In other words, as Madden explains, “Having a mind is not to possess something, but to be involved with or a participant in, as it has been famously put, a ‘form of life.’”

What this ultimately means is that a “form of life” is not only something we participate in, but something for which we must finally take responsibility, if we wish to be authentically human. For example, we are all born into structures, traditions, and worldviews that we receive from our parents, peers, community, and culture. Yet, while we grow up as mere practitioners of the form of life we inherit, at some point responsibility demands that we subject that life to critical scrutiny to see whether it is in fact the good, right, and true form of life, or whether it ought to be abandoned for a superior one. In other words, having a mind enters us into the “space of reasons,” where we face the essential human task of critically assessing the life we lead and seeing whether it withstands rational analysis. “Thus,” Madden observes, “one must ask stark questions and face possibly dark answers about her form of life, if she really cares about it. This is what it means to refuse to live in a sham world.” As Socrates recognized long ago, the unexamined life is not worth living, so putting one’s life under scrutiny and being open to “dark answers” is essential to human authenticity. Anxiety, in other words, is the price paid for living a fully human life.

ON THE LINE:

The Revelations of Simone Weil: Like Alexei Navalny, she embodied her ideals despite the personal cost. (Megan Dent, Feb 25, 2024, The Dispatch)

Some may associate theology with cloisters, and mysticism with escapism. Many may associate philosophy with classrooms. Simone Weil combusts these associations. She refused to advance ideas that she had not lived or, more specifically, that she had not substantiated with her own body in the coarse complexity of the real world. She remained tenaciously committed to reality—its pain, its unpalatability, its contradictions—for all of her short and remarkable life. “She didn’t only make very strong comments, she went out and did them, which absolutely astounded people,” one scholar said recently.

In recent days, many have been similarly astounded by the example of Alexei Navalny returning to Russia in 2021, into the hands of those who’d poisoned him and who would eventually kill him. Freedom in Russia was no mere idea for Navalny. It was a hope that he carried back to his country in his own body, the novichok barely out of his bloodstream.

Much of our own politics has become the opposite: disembodied. Reductive answers to intractable questions are the bread and butter of the internet. Never has it been easier to assert, with utter conviction, ideas that are simply untethered from the irreconcilable qualities of reality. This can lead to profound dishonesty—to lies about the world as it really is. Often those making the strongest claims have the least to lose. Their own bodies aren’t on the line.

But Weil, by contrast, embodied paradoxes, evading simple political or ideological definitions. She was, in the apt words of a recent biographer, “an anarchist who espoused conservative ideals, a pacifist who fought in the Spanish Civil War, a saint who refused baptism, a mystic who was a labor militant, [and] a French Jew who was buried in the Catholic section of an English cemetery.”

hIS LONELINESS WAS SINFUL:

The Bible suggests even God gets lonely. Why don’t religious people talk more about it? (Dwight Lee Wolter, 1/18/24, RNS)

Yet rarely is loneliness mentioned explicitly in the Bible or in our churches. It is implied, but not declared. The often dire consequences of loneliness are seen, felt and heard but not acknowledged.

Did you ever wonder if Eve and Adam, after their banishment, were lonely for the Garden of Eden? I would have been. Were Eve and Adam lonely for their son, Abel, who was killed by his brother Cain? Was anyone on the ark, including Noah, lonely for home as they drifted on an endless sea of darkness and uncertainty? Was it out of loneliness that Jesus cried from the cross, “Why have you forsaken me?” I cannot imagine a lonelier place or a lonelier question on the lips of a lonelier person.

UNIFIED ON THE CROSS, BY SEPARATION:

“God’s Own Descent”: Dante, the Incarnation, & Frost’s “The Trial by Existence” (Myah Gebhard, February 6th, 2024, Imaginative Conservative)

However, Frost introduces his own poetic shift in these braided traditions by suddenly plunging into an incarnational focus at the end of the poem with the Christological figure of the brave soul. In the sixth stanza, he writes, “Nor is there wanting in the press / Some spirit to stand simply forth / Heroic in its nakedness, / Against the uttermost of earth…./ And the mind whirls and the heart sings, / And a shout greets the daring one…. / And the awe passes wonder then, / and a hush falls for all acclaim.”25 Frost’s previous reference to the daring souls as those “that are slain” and the description of this choice as a “sacrifice” is strongly reminiscent of the thirteenth chapter of Revelation, where silence falls in heaven before Christ appears as the Lamb “slain before the foundation of the world.”26 Scholar Cai Pei-Lin has noted that, besides the biblical resonances, Frost also appears to allude here to Milton’s figure of the Son of God.27 In Book III of Paradise Lost, God asks if anyone in heaven is willing to descend to earth to “redeem / Man’s mortal crime, and just the unjust to save.” The angels stand “mute / And silence was in heaven,” until the Son stands forth to become mortal flesh for man’s sake, telling the Father: “Behold me then: me for him, life for life / I offer…. / Account me Man; I for his sake will leave / Thy bosom, and this glory next to thee / Freely put off.”28

Frost’s allusion to Milton indicates that the sacrifice of this soul that all the other spirits behold at the top of the mountain is, in fact, the sacrifice of the Son of God in becoming flesh. Pei-Lin has also noted that Frost’s later description in “The Trial by Existence” of this event as God breaking “a flower of gold” is another reference to Milton. Further on in Book III, after the Son has declared his intention to become incarnate, Milton moves into a description of amaranth and gold as flowers connected with the Tree of Life and divinity itself: “Their crowns inwove with amaranth and gold / Immortal amaranth, a flower which once / In Paradise, fast by the tree of life / Began to bloom, but soon for man’s offence / To Heaven removed where first it grew, there grows / And flowers aloft shading the fount of life.”29 The association of this golden flower with the Son means that its “breaking” in the final stanzas points to a certain cruciform move inherent in the Incarnation itself. Thus, Frost pushes past Dante’s reticence by emphasizing that the vision at the top of this purgatorial-type mountain is Christ: in other words, the beatific vision is God-in-the-flesh. The human souls in his poem ascend the cliffs in order to look with “awe [passing] wonder” on Christ as the “brave soul” that chose to become flesh and broken for our binding together.30

From this turn towards the Incarnation, Frost moves into a deeply sacramental view of the world, one in which spirit and matter are irrevocably knitted together and purified by Christ’s presence. After describing the Son of God as a broken flower of gold, Frost continues to explain that God has used this broken flower as “the mystic link to bind and hold / Spirit to matter until death come.”31 Christ is portrayed here as ultimately fulfilling what Frost sees as the essential poetic vocation: to unite spirit and matter. The Incarnation is the final word, there will never be a future in which the spiritual is disconnected from the material. For Frost, paradise cannot be the place where one beholds pure spirit; instead, it is the place where one is finally able to experience their full unification in a divine affirmation of creation and matter.

In the last stanza, Frost turns to the experience of earthly life. Although spirit and matter are bound together in Christ as the broken flower, this does not mean that persons have this perception during their life. In fact, forgetfulness and lack of perception are a key aspect of earthly suffering. Frost draws attention to this in his recognition that “the essence of life here” is “still to lack / The lasting memory at all clear, / That life has for us on the wrack / Nothing but what we somehow chose.”32 These lines express how earthly life is often characterized by an inability to perceive meaning or freedom within suffering; Frost thinks this is because we cannot remember our own will to become enfleshed. However, he finds comfort in the fact that we are not alone in the suffering of earthly experience: “in the pain” there is “one close, / Bearing it crushed and mystified.”33

The description of this “one” as “crushed” and “bearing” human pain immediately recalls the image of Christ as the crushed flower in the previous stanza. His sharing in human flesh means that he is capable of being “close” in human suffering, and this proximity of divine presence is capable of transforming that experience. Frost’s grammar here is creatively ambiguous: one can read “crushed and mystified” as applying both to Christ himself and to the pain that is borne. This connection reinforces the idea of transformation. The descriptor “crushed” alludes to the breaking of the flower and also likely to Isaiah’s prophecy of Christ as “crushed” for man’s healing.34 The description “mystified” likewise contains a multilayered significance. Its more modern and common meaning of confusion echoes the forgetfulness of human experience that Frost attended to earlier in the poem. However, it also has the etymological source and older meaning of “full of mystery,” “mystical… of secret rites,” and mystic as “one who has been initiated.”35 This reading of the word in Frost’s final line emphasizes the sacramental significance of human experience and all of physical creation. Finally, Frost says that it is through this union that we are “wholly stripped of pride.”36 The binding together of spirit and matter allows for a process of purification that is a creative reworking of Dante’s Purgatorio, closely linking purgation as well as paradise closely to earth.

“The Trial by Existence” is an example of Frost’s strong and brilliant reworking of Dante’s poetic tradition in his own work. He incorporates many of Dante’s images, but he also pushes past the ending silence of Paradiso by making the incarnate Christ the sight at the top of the mountain. For Frost, the Incarnation is the religious pinnacle and affirmation of his poetic vocation to unite spirit and matter. It means that no matter how deeply one may enter into the spiritual, one never gets beyond the physical: they always mutually reveal one another. The religious concept of a sacrament or mystery expresses this very thing and is thus deeply incorporated into the ending of Frost’s poem. These theological themes make sense of the way that Frost continually uses his poetry to ascend to the highest spiritual places and yet always return with the conviction that “Earth’s the right place for love,” for Christ is the one in both these movements come together: in which divine descent and human ascent are united.37

It required Christ’s despair for the unification to occur.

WITCH HUNTS ARE A FUNCTION OF WITCHES:

How Witches Shifted from Daily Healers to Heretics and Dangerous Women Under Christian Rule (Marion Gibson, January 22, 2024, LitHub)

In early history, magic was considered to be a power innate in healers, shamans, and religious leaders across multiple cultures. It allowed them to go beyond natural abilities, to change the world in inexplicable ways. Communities would have several such magical workers, combining medical and priestly roles.

There was no clear line between their magical healing and harming, since good and bad magic were two aspects of the same force. On Monday a user of magic might bless you, on Thursday they might curse you—that was just how things were. If you felt a magically gifted person was using that force to do harm, you might vilify them as a “witch”—a user of evil magic—and you might hold a local trial and mandate repentance. You might banish or kill the witch if their crimes were unacceptable.

But witchcraft accusations would not spread widely, and, on the whole, you would not begin to believe all magic was evil. Some societies were concerned about this possibility—the ancient Greeks and Romans feared magic was inherently ungodly—but most retained a blurry notion that magic could be a force for good.

This changed in Europe during the medieval period, when a new theological science was established: the study of devils or demons, appropriately called “demonology.” By the 1400s, the Christian clergymen who developed demonology had convincingly claimed a unique insight into the workings of the cosmos and God’s will. Now, demonologists argued, witchcraft was not just good magic gone bad; it was envisioned as a career committed to wickedness, setting itself against the church.