RAISE YOUR HOPEFUL VOICE:
He Sang About Loneliness. He Built Belonging (Samuel J. Abrams, July 30, 2026, AEIdeas)
Durkheim had a word for the feeling that runs through Once and much of Hansard’s music: anomie. It is what happens when people lose the relationships and rituals that tell them where they belong. In the film, the two protagonists have remarkable talent, but they lack people who can hear it and recognize it. They meet and truly see each other—albeit for a fleeting moment in time. The standout song, “Falling Slowly,” is remembered as a love song, but it is really about trust. Two strangers make something beautiful because each is willing to be vulnerable in front of the other.
That kind of encounter feels rarer today as we are increasingly isolated and disconnected from each other. AEI’s Survey Center on American Life found that the share of Americans with no close friends quadrupled between 1990 and 2021. Those numbers describe far more than isolation; they reveal that so many lives are lived in places where people do not feel known.
Hansard’s answer to loneliness was never a theory. In 2010, just before Christmas, volunteers collecting for Dublin’s Simon Community asked him to sing. He said no, went home, felt bad about it, grabbed his guitar, and came back. The volunteers had already left, but he played anyway. Other musicians joined him. He returned the next Christmas, then the next. 15 years later, thousands gather outside the Gaiety Theatre on Christmas Eve because one person came back.
That may be the most important thing Hansard ever created. Not an album or an Oscar-winning song, but a place people knew they could return to.
