July 7, 2026

CONSERVATISM IS NOT TRUMPIST:

The Roberts Court vs. the Trump Court: Why Trump lost big in the Supreme Court cases he cared the most about (Damon Root | 7.7.2026, reason)


Take the tariffs case: Trump wanted unilateral executive control over something that the Constitution simply does not place in the hands of the president. Once upon a time, when Joe Biden was president, or earlier, when Barack Obama was president, Republicans were vocally opposed to that sort of executive overreach. But then Trump came along, and most of the GOP abandoned its previous position or just kept quiet.

The chief justice, however, did not abandon his previous position. To his credit, Roberts ruled against Trump’s unilateral tariff scheme for the same legal reasons why he ruled against Biden’s unilateral student debt cancellation scheme.

In other words, in the tariffs case, the Roberts Court stuck to its professed principles (something that does not always happen, to be sure). If there is any sign of the Trump Court lurking in that case, it is to be found in the dissent only.

A similar thing happened in the birthright citizenship case. At issue there was something that conservatives and Republicans claim to value: the original meaning of the U.S. Constitution. Yet Trump wanted the Supreme Court to adopt a legal theory that would have done a grave injustice to the text and history of the Constitution. Once again, however, and once again to his credit, the chief justice declined Trump’s unconstitutional invitation.

IT’S IMPOSSIBLE TO OVERSTATE DEFLATIONARY PRESSURES:

How Volkswagen ended up with a huge workforce (Nik Martin, 7/07/26, Deutsche-Welle)

At nearly 630,000 people — 680,000 if you count joint ventures in China — VW employs around 60% more workers than Toyota, 140% more than Stellantis and nearly 240% more than Ford.

That headcount was once a sign of Germany’s industrial might and VW’s huge profits. Now, it’s become a massive burden, one that’s forcing the company to make painful job cuts to survive against agile Chinese competitors.

PHILADELPHIA:

A Singular Dream: Huck Finn’s America Turns 250 (Cassandra Nelson, June 30, 2026, Religion & Liberty)

Violence in the novel stems from any number of motivations: institutionalized racism, aristocratic family feuds, an abusive parent’s perverse envy of their child, squabbles among thieves and outlaws over money and honor, and the kind of guilty, hangdog groupthink that makes a mob want to preemptively shoot someone “in the back, in the dark” before they can themselves be shot, since that sort of cowardly attack is “just what they would do.”

Though Huck chafes against the strictures of civilization, the starched collars and lengthy Sunday morning homilies that keep him from moving as freely as he’d like, Morrison correctly perceived that he is “running not from external control but from external chaos. Nothing in society makes sense; all is in peril.”

Our own civic moment, alas, feels similarly fraught.

When society is as likely to harm as to help, the crux of the novel becomes what—or rather who—can provide emotional security and physical safety for Huck on his journey. Nature provides some relief, but not much. More than once, thunderstorms, strong river currents, and gigantic steamboats threaten to (or actually do) destroy Huck’s raft.

Freedom and peace emerge not from the river or the rambling life per se but from the benevolent actions of good people.

Most famously, Huck finds solace and companionship in Jim, a runaway slave. Though neither man is legally in control of his own fate—Huck because he has not yet reached the age of majority and Jim because of the color of his skin—each recovers a sense of agency and worth by caring for the other. They are separated and reunited more than once on their meandering journey. Each time, their joy and relief upon reuniting is palpable: “It was Jim’s voice—nothing ever sounded so good before.”

All great stories tell of the friendship among men.

WELCOME:

The Moment I, an Arab, Became American (Luma Simms, July 3, 2026, Providence)

Sitting around the camp fire listening to the oud, my Iraqi self clapped her hands, snapped her fingers, and couldn’t help but sing along to our favorite Middle Eastern artists. To my surprise, one of the American men from a nearby campsite came over with his guitar and asked what instrument we were playing and what language we were speaking. My dad and the men in our group asked the man to join us. They poured him arak; he was fascinated. Then, at our request, he began to play.

He strummed his guitar and sang Willie Nelson, Bob Dylan, Johnny Cash and John Denver.

The music was familiar because, from our first day in America, I had sought to assimilate; I needed to understand it and internalize it—to enter its peoplehood. I was a fragmented little girl who yearned to be whole. I was sixteen on that particular camping trip; accustomed to being “American” at school and “Iraqi” at home. I knew all the popular American music songs from the radio but had not experienced an American bringing his authentic American identity into our Iraqi Christian subculture.

The Santa Barbara sky darkened and the stars competed with the campfire. Meanwhile, the American man progressed from one song to another, and the music reverberated through me and the lump in my throat expanded; by the time he got to John Denver’s “Take Me Home, Country Roads” I had to fight hard against the tears—I would have been ashamed to cry in front of my parents and their friends.

And then he began to sing another song by John Denver, one that electrified me:

He was born in the summer of his twenty-seventh year
Coming home to a place he’d never been before
Left yesterday behind him, you might say he was born again
Might say he found a key for ev’ry door

When he first came to the mountains his life was far away
On the road and hangin’ by a song
But the string’s already broken and he doesn’t really care
Keeps changin’ fast, it don’t last for long

Colorado Rocky Mountain high
I’ve seen it rainin’ fire in the sky
The shadow from the starlight
Is softer than a lullaby
Rocky Mountain high
Rocky Mountain high

The resonance was palpable. He hit the notes, I’ve seen it rainin’ fire in the sky, and I was split by the sonic intonation of his words; they played on my soul and I could sense the existence of two mes; the Iraqi Luma and the American Luma, each moved by the respective music. In that moment, I knew I would never be whole again—my identity permanently bifurcated, my string was broken.