Holidays

REALITY ON 34TH STREET:

Playing Santa Does Strange Things to a Man. What It Did to Bob Rutan Was Even Stranger.: Bob Rutan is legendary among the tight-knit fraternity of Macy’s Santa Clauses. Like many of these men, playing Santa changed Bob. Profoundly. His story is one of struggle and failure, heartbreak and grace and—yes—the magic of Christmas (David Gauvey Herbert, Dec 4, 2025, Esquire)

Bob learned the ropes. Don’t pester kids about eating vegetables. Go light on the rouge or risk looking like a drunk. Nix the loud “ho ho ho,” because the sound carried into the other cottages, destroying the illusion of Macy’s and the One True Santa. And if a patron gets aggressive—and they sometimes did—do not physically engage unless a child, or an elf, is in peril.

Based read in conjunction with Mick Herron’s Usual Santas

A REAL CHILL DUDE:

‘Look out! Look out! Jack Frost is about!’ (Deborah Nicholls-Lee, December 21, 2024, Country Life)

Depictions of Jack Frost might vary, but all evoke the wonder of the mysterious crystalline carpet that appears overnight on our lawns and sugarcoats our trees and shrubs. This glittery covering is simply ice crystals formed by water vapour coming into contact with a surface that’s below freezing, but its sudden arrival can feel otherworldly and curious legends have been attached to it.

Some believe that Jack Frost may originate from a character, also called Father Frost, in the Russian fairy tale Morozko. He rescues a young girl abandoned by her wicked stepmother and cuts a benign, elderly figure with a cloak and a long, soft beard. Others look to Norse mythology, where fantastical frost giants roam an icy realm and Kari, a wind god, sires sons named Jokul and Frosti.

In other folklore, Frost is closely connected with autumn. In a 1922 drawing by American cartoonist John T. McCutcheon, he perches on a maple branch painting autumn leaves with a palette of warm shades. It’s a depiction that echoes Birdie and his Fairy Friends (1889), by Margaret Canby. In ‘The Frost Fairies’ chapter, set in ‘a cold country far to the North’, the clumsy fairies spill colourful jewels belonging to the king, Jack Frost, all over the trees. An initially angry Frost is soon taken with the effect and determines, once a year, to paint the trees ‘with the brightest layer of gold and rubies’.

TOUGH BEAT FOR RENE GIRARD:

The First Christmas Tree (Henry Van Dyke)

“None of these things will please the god. More costly is the offering that shall cleanse your sin, more precious the crimson dew that shall send new life into this holy tree of blood. Thor claims your dearest and your noblest gift.”


Hunrad moved nearer to the group of children who stood watching the fire and the swarms of spark-serpents darting upward. They had heeded none of the priest’s words, and did not notice now that he approached them, so eager were they to see which fiery snake would go highest among the oak branches. Foremost among them, and most intent on the pretty game, was a boy like a sunbeam, slender and quick, with blithe brown eyes and laughing lips. The priest’s hand was laid upon his shoulder. The boy turned and looked up in his face.


“Here,” said the old man, with his voice vibrating as when a thick rope is strained by a ship swinging from her moorings, “here is the chosen one, the eldest son of the Chief, the darling of the people. Hearken, Bernhard, wilt thou go to Valhalla, where the heroes dwell with the gods, to bear a message to Thor?”


The boy answered, swift and clear:

“Yes, priest, I will go if my father bids me. Is it far away? Shall I run quickly? Must I take my bow and arrows for the wolves?”

The boy’s father, the Chieftain Gundhar, standing among his bearded warriors, drew his breath deep, and leaned so heavily on the handle of his spear that the wood cracked. And his wife, Irma, bending forward from the ranks of women, pushed the golden hair from her forehead with one hand. The other dragged at the silver chain about her neck until the rough links pierced her flesh, and the red drops fell unheeded on her breast.
A sigh passed through the crowd, like the murmur of the forest before the storm breaks. Yet no one spoke save Hunrad:
“Yes, my Prince, both bow and spear shalt thou have, for the way is long, and thou art a brave huntsman. But in darkness thou must journey for a little space, and with eyes blindfolded. Fearest thou?”


“Naught fear I,” said the boy, “neither darkness, nor the great bear, nor the were-wolf. For I am Gundhar’s son, and the defender of my folk.”

Then the priest led the child in his raiment of lamb’s-wool to a broad stone in front of the fire. He gave him his little bow tipped with silver, and his spear with shining head of steel. He bound the child’s eyes with a white cloth, and bade him kneel beside the stone with his face to the cast. Unconsciously the wide arc of spectators drew inward toward the centre, as the ends of the bow draw together when the cord is stretched. Winfried moved noiselessly until he stood close behind the priest.

The old man stooped to lift a black hammer of stone from the ground,–the sacred hammer of the god Thor. Summoning all the strength of his withered arms, he swung it high in the air. It poised for an instant above the child’s fair head–then turned to fall.
One keen cry shrilled out from where the women stood: “Me! take me! not Bernhard!”
The flight of the mother toward her child was swift as the falcon’s swoop. But swifter still was the hand of the deliverer.

CELEBRATING LIBERTY:

Juneteenth: A Jubilee of Freedom (Andy Craig, June 19, 2020, Cato)


Aside from its anti‐​slavery origins, the popular adoption of Juneteenth over other possible dates serves as an example of culture and tradition arising organically rather than from official recognition, which only began in recent years. Today, forty‐​nine states (all except Hawaii) have made some form of official recognition for Juneteenth and there is a movement urging Congress to adopt it as an official national holiday. [Juneteenth became a federal holiday on June 17, 2021.] That would be fitting.

It might be a symbolic gesture but symbolism matters. The abolition of slavery and the suffering and contributions of black Americans deserve a prominent place in our national narrative. The festive, celebrative spirit of Juneteenth is particularly appropriate for this. The triumph of hope over adversity and liberty over slavery is very much worth celebrating.

GET WOKE:

The lessons of Martin Luther King’s life should give us hope today (Janice Ellis, JANUARY 15, 2024, NH Bulletin)

If we, like King, truly believe that the words of the Constitution and Declaration of Independence are meant for all Americans, then zealously embrace them and put them into practice by letting them govern and guide our actions in both our public and private lives.

That fundamental belief inspired and motivated King and lit the path he chose to fix policies and practices to make life in America as it was intended to be.

This was made abundantly clear in his “I Have a Dream” speech during the historic march on Washington in the summer of 1963: “When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men, yes, Black men as well as white men, would be guaranteed the unalienable rights of life, liberty, and the pursuit of happiness.”

King did not ignore, nor seek to discredit or dismantle, the basic tenets of our democratic republic. He embraced them instead.

Republican liberty denies Identitarianism.

THE W-SHAPED HOLE:

What Conservatives Can Learn from MLK’s Economic Views: His support for left-wing views didn’t arise in a vacuum—and it was highly controversial among black pioneers, too. (Rachel Ferguson, Jan 15, 2024J, The Dispatch)

The conservative temperament is not naturally activist, which lends itself to too much lethargy about injustice—even when that injustice goes directly against one’s principled advocacy for private property and free exchange (as Jim Crow, red-lining, and urban renewal certainly did). They might also remind theological conservatives to turn inward and ask where one’s commitment to orthodoxy has veered into a gnostic, out-of-balance spiritualization of the Christian life.

More broadly, they should convince today’s conservatives to pause and take a breath between condemnations of the left to wonder why it has been able to suck all the air out of the room on racial questions. If you are not willing to step into the arena and offer your own solution, you can hardly complain that you lost the match.

“KEEP LISTENING TO THE BELLS”

The Greatest Gift (Philip Van Doren Stern, Dec 25, 2008, Tor.com)


When he found himself unable to find a publisher for his story, author Philip Van Doren Stern printed up copies of the “The Greatest Gift” and gave them out as Christmas cards in 1943. Eventually, the story came to the attention of director Frank Capra, who explained later, “It was the story I had been looking for all my life! A good man, ambitious. But so busy helping others, life seems to pass him by…Through the eyes of a guardian angel he sees the world as it would have been had he not been born. Wow! What an idea.” Capra went on to turn Stern’s story into the cherished holiday classic It’s A Wonderful Life. Released in 1946 and starring James Stewart, Donna Reed, Lionel Barrymore and Gloria Grahame, the film received several Academy Award nominations and has gone on to become one of the most iconic films in movie history, as well as a beloved feature of every holiday season. Here, presented for your enjoyment, is the original Philip Van Doren Stern story. Happy holidays, all.

OPEN THE BORDERS:

Santa Claus and Science: On imagination, faith, and the natural fancy of children (G. K. Chesterton, December 20, 1935, Commonweal)

Fourth, what do our great modern educationists, our great modern psychologists, our great makers of a new world, mean to do about the breach between the imagination and the reason, if only in the passage from the infant to the man? Is the child to live in a world that is entirely fanciful and then find suddenly that it is entirely false? Or is the child to be forbidden all forms of fancy; or in other words, forbidden to be a child? Or is he, as we say, to have some harmless borderland of fancy in childhood, which is still a part of the land in which he will live; in terra viventium, in the land of living men? Cannot the child pass from a child’s natural fancy to a man’s normal faith in Holy Nicholas of the Children, without enduring that bitter break and abrupt disappointment which now marks the passage of a child from a land of make-believe to a world of no belief?

THE CROOKED STRAIGHT:

The Spiritual Architecture of Handel’s “Messiah” (Paul Krause, 12/24/23, Voegelin View)


Classical music, by contrast, especially the Baroque style to which Handel belonged, is different. On this note, Gregory Athnos, the great music professor and conductor, offers readers an introductory overview of Handel’s greatest triumph.


Unlike the pop music that Scruton derides as distraction and not having much of a purpose beyond that, Athnos writes, “At the center of the [Baroque] doctrine was the belief that composer could create a piece of music capable of producing a particular and specific involuntary emption/spiritual response in their audience.” The transcendental feeling and experience we have listening to classical music is not accidental. It is intentional. What undergirded the Baroque spirit was an understanding that the beauty, power, and passion of music expressed and communicated deeply interior and spiritual truths to its audience. And this is exactly what Handel set out to achieve with the help of Charles Jennens in composing “Messiah.”