September 24, 2026

WE ARE ALL DESIGNIST:

New Carlo Rovelli book challenges science’s understanding of reality and the universe (Adam Frank, 9/14/26, NPR)

Rovelli dedicates considerable space to a view of quantum mechanics called the relational interpretation. When quantum physics appeared in the early 20th century, it came as a shock to the physicists who were creating it. In the 250 years since Newton introduced his famous laws of motion, physicists had come to believe their equations described a reality that was entirely independent of human action or interpretation. The “stuff” described by Newton’s laws, and the laws themselves existed “out there” in the “Ultimate Reality” that the book on my shelf points to. But in quantum mechanics it became difficult to speak of objects having properties before those properties were measured. This is the source of the famous Schrodinger’s Cat paradox where a cat in a box can be both dead and alive before the box is opened and a measurement is made.

For some physicists, it was so important to get that Ultimate Reality back that they invented interpretations of quantum physics that claimed the universe splits into separate parallel versions of itself when the box is opened. Rovelli thinks these attempts are nonsense. For him, the lesson of quantum mechanics is relationality. Everything exists only in relation to everything else. That means the properties of a system – any object – are always relational properties. There is no way to see them from an ultimate or absolute perspective because there are no ultimate or absolute perspectives. And in the absence of an ultimate perspective the power of physics to ultimately “explain everything” also falls apart.

LOOK WHO’S TALKING:

Tom Waits’ Gruff Legacy (Loren Kantor, 9/15/26, Splice Today)

Like a method actor, Waits immersed himself in booze and cigarettes and slouched like a lifelong alcoholic. He told author David McGee, “I was sick through that whole period. It started to wear on me, all the touring… living in hotels, eating bad food, drinking too much. There’s a lifestyle that’s there before you arrive and you’re introduced to it. It’s unavoidable.”

Waits’ newfound drinking buddies included author Charles Bukowski and fellow singer Chuck E. Weiss (inspiration for Rickie Lee Jones’ “Chuck E.’s in Love”). While acting in the film Paradise Alley (1978), Waits met screenwriter Kathleen Brennan. The two fell in love and married in 1980. Brennan encouraged Waits to ditch his poet lounge singer act and embrace a more experimental, avant-garde approach. The couple wrote songs together and left Los Angeles for Sonoma County where they had three children.

Brennan inspired Waits to join AA and he became sober in 1992. Waits’ famously said, “One is never completely certain when you drink and do drugs whether the spirits that are moving through you are the spirits from the bottle or your own. At a certain point, you become afraid of the answer. That’s one of the biggest things that keeps people from getting sober, they’re afraid to find out it was the liquor talking all along.”

Fortunately, the quality of Waits’ music improved with sobriety. His voice became raspier as well. When music critic Daniel Durchholz told Waits his voice sounded like it was soaked in a vat of bourbon and then taken outside and run over with a car, Waits responded, “flattery will get you nowhere with me.”