September 25, 2025

WHY THE rIGHT IS SO GEEFUL ABOUT HIS MURDER:

Charlie Kirk, Martyrdom, and America’s Authoritarian Apostles: The entanglement of fascist politics and Christian imagery is not new, and it is dangerously powerful (Adam Gurri, 25 Sep 2025, Liberal Currents)

Despite the obvious tensions between fascism and Christian virtues, the entanglement of fascist politics and Christian imagery is not new. It is dangerously powerful, especially in the contemporary context of an American Christianity in the grips of a right-wing identity crisis. I want to elaborate on the way MAGA has portrayed Kirk since his assassination and connect it to the warped, spiritually dessicated version of Christianity that undergirds Trumpism today. I hope to highlight how degraded our moral situation has become.


I have seen more than a few allusions to Horst Wessel in the days since Kirk’s killing. Wessel, a young Nazi and member of the SA, was murdered by members of the Communist Party of Germany in 1930. His death became a rallying point for Nazi Party, and they adopted a march for which he’d written lyrics as the party anthem.

The references are apt. Kirk is being valorized in service of a fascist project. But I want to turn in particular to the way historian Tom Holland examines Wessel’s martyrdom, in which he stresses the explicit Christ allegory, as an especially helpful point of comparison.

As Holland observes in his book Dominion: How the Christian Revolution Remade the World, Nazi leaders were quick to grasp the utility of Wessel’s death and to wield it to great effect. He writes how Josef Goebbels understood the Christian power in making Wessel a martyr, even as the Nazis despised much of what Christianity stood for. Goebbels went so far as to proclaim at Wessel’s funeral service that he would rise once again. Holland writes:

A shudder ran through the crowd, “As if God,” one of the mourners later recalled, “had made a decision and sent his holy breath upon the open grave and the flags, blessing the dead man and all who belonged to him.” One month later, Goebbels explicitly compared Wessel to Christ.

Since his killing, right-wing rhetoric around Kirk has become increasingly religious. In one hearing, Representative Troy Nehls of Texas declared “I would say if Charlie Kirk lived in Biblical times, he’d have been the 13th disciple.”

Hard to see Christ organizing Identitarian groups.

THE AEESOMENESS OF ANTI-IDENTITY:

Days of Awe (Robert Zaretsky,| September 25, 2025, The American Scholar)

Yet perhaps we do not need alpine guides, but instead moral guides to experience this emotion. As a historian of France under the Nazi occupation, I cannot help but return, time and again, to the case of André Trocmé. He was a Protestant pastor and an ardent pacifist in the village of Chambon-sur-Lignon, a dot on the map of the rocky and austere Massif Central region in south-central France. Eighty-five years ago, that dot soon became a haven of safety for men, women, and children who were in fear for their lives.

In 1940, Trocmé and his equally remarkable wife, Magda, launched their effort to rescue as many Jewish refugees as possible who were fleeing Vichy police and SS officials. From his pulpit, Trocmé used his pulpit to spur les Chambonais to action. “Tremendous pressure will be put on us to submit passively to a totalitarian ideology,” he warned his parishioners. Yet, Trocmé continued, the “duty of Christians is to use the weapons of the Spirit to oppose the violence that they will try to put on our consciences. … We shall resist whenever our adversaries demand of us obedience contrary to the orders of the gospel. We shall do so without fear, but also without pride and without hate.”

Over the next four years, while Vichy collaborated with the Nazi implementation of the Final Solution, Trocmé and his congregation were, in every sense of the phrase, as good as their word. They made, in fact, their word flesh. As a growing stream of Jewish refugees, as well as French Jews whom Vichy had denaturalized, fled to Chambon, the townspeople opened wide their doors. They created safe houses, forged identity cards, sheltered, fed, and educated thousands of desperate Jewish men, women, and children.

The moral imperative of caring for children was the driving force in the young life of Trocmé’s nephew, Daniel Trocmé. He had come to Chambon to be a teacher, but he eventually found himself in the role of their protector. When the police captured his group of students, the young Trocmé refused to abandon the children. Instead, he kept them close, calming them as best he could. And he died with them at the extermination camp of Maidenek. Daniel Trocmé freely chose to follow the same ethical teaching expressed by his uncle. (In fact, Trocmé and his fellow pastors were also arrested and sent to a concentration camp, but they were mysteriously released a few months later.)

In his landmark account of Chambon, Lest Innocent Blood Be Shed, the late American philosopher Philip Hallie was obsessed by a single question: Why did goodness happen not only in Chambon, but also the surrounding towns and villages? Historians, psychologists, and philosophers have since widened and deepened the search for an answer to this question. It turns out that the nature of goodness is perhaps even more difficult to isolate than is the nature of evil. But if one had to boil it down, it might come down to the words spoken by André Trocmé to a French officer who had demanded the whereabout of the Jews the pastor had hidden. “We do not know what a Jew is,” Trocmé replied. “We know only men.”

HONESTY ABOUT THE fALL…:

In Defense of Dark Humor  (Rebekah Bills, September 25, 2025, Providence)

Despite the punchline’s references to the evils of child marriage and pornography, I found it wickedly funny and—perhaps to assuage my own conscience—have been pondering the role of dark humor ever since. In a recent discussion, Lorraine Murphy, professor of English at Hillsdale College, described how all great stories, comedies and tragedies, demonstrate a “willingness to look at the darkness.” Truly memorable stories acknowledge the brokenness of our world and humanity’s immense capacity for evil. Humor, especially satire and dark humor, plays with the incongruence and deviation from how things are and how they ought to be. It highlights the absurdity of evil in ways plain English can’t. Likewise, my former coworker’s joke hit on an ugly truth, momentarily laying bare the evil that my colleagues and I dealt with every day. The crude joke mocked an evil that, except for rare moments, was compartmentalized and handled with detached professionalism. It dared to “look at the darkness” through the guise of levity. 

Throughout the Western literary tradition, humor has historically been a means of acknowledging the darkness present in the human condition, often by exposing moral failures and hypocrisies.

…is one of the features that makes all comedy conservative.