Culture

EMOTION ALWAYS MISLEADS:

What would Thucydides say?: In constantly reaching for past parallels to explain our peculiar times we miss the real lessons of the master historian (Mark Fisher, 5/07/24, Aeon)

Thucydides was unusual among classical writers in stating directly what he hoped his readers would gain from his work. He would be content, he says, if History of the Peloponnesian War was deemed ‘useful’ by those who wanted ‘to scrutinise what actually happened and would happen again, given the human condition, in the same or similar fashion’ (my translation). The description nevertheless leaves readers wanting. How exactly such knowledge should prove useful is underspecified, and scholars have long disagreed over what Thucydides expected the utility of his text to be.

Most assume that Thucydides tried to offer his reader a type of foreknowledge that could potentially translate into active control over the politico-historical process. Taken to its extreme, this ‘optimistic’ interpretation reads History of the Peloponnesian War as a sort of ‘political systems users’ manual’, as Josiah Ober put it, capable of creating expert political technicians. Recognising regularities in the historical process, it is thought, should lead to predictive capacity, which in turn allows for political mastery. Proceeding in this fashion, Thucydides takes himself to be training master statesmen capable of solving the fundamental problems of political life.

Others detect a more pessimistic outlook in Thucydides’ stated ambition. They suggest that the lessons on offer are insufficient to produce control over events even if they can help the reader detect regularities in the political process. Unexpected events will often upset our expectations, as the plague did in Athens, and the ignorance of non-experts will often disrupt the translation of technical insight into effective policy. This problem will be particularly acute within a democratic context, where a popular eagerness to apply bastardised versions of such insights may even make matters worse. In this interpretation, Thucydides is ‘useful’ to the extent that he can temper the ambitions of those wishing to impose rational order onto political life. The best we can hope for, it seems, is to minimise our self-harm.

At issue between these two interpretive poles is the basic presumption of applied social science: to what extent can the recognition of recurring patterns translate into effective political policy? Yet, Thucydides was not writing social science as we know it. To the extent that his text articulated anything like fundamental laws of political behaviour, it did so through exemplary instances and carefully curated parallelisms. The Peloponnesian War served as a paradigmatic event for Thucydides: a particular instance that revealed general truths. It served this representative role, however, not because it was typical. Rather, it was exemplary because it was uniquely ‘great’. The war would prove useful, in other words, not because of history’s strict repetition, but by the pregnancy of similarity and the reader’s ability to parse analogies effectively.

Thucydides schools his readers in just how difficult such acts of analogical interpretation can be. A series of carefully considered verbal parallels, or what Jacqueline de Romilly has called fils conducteurs (‘guiding threads’), extend through Thucydides’ narrative like a web, ensnaring the reader in a constant and, at times, overwhelming sense of déjà vu. Sometimes, repetitions point towards important explanatory insights. But they also suggest likenesses that can lead the reader astray. Time and again, Thucydides confounds the expectations he has created. Even upon rereading, one can feel an internal tension between what one knows to be the case and what one is nonetheless led to expect will happen. Whether it is your first or your 15th read, you can still catch yourself thinking: this time surely Athens will win.

The evident lesson behind all of this is that we must learn how to choose the right parallels if we are to judge well in politics. But Thucydides also knew that we did not have full control of the analogies that shape our deliberations, especially in public life. Our analogical vocabulary is woven directly into the cultural fabric, a product of the contingencies that shape collective memory. We choose them no more than we choose the language we speak. (Once again, Marx: ‘Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past.’) Some events, such as the Persian Wars in Thucydides’ day or the Second World War in our own, simply loom too large to avoid, and we are easily held captive by the emotional weight of their cultural significance. Thucydides measured this gravitational pull also in terms of ‘greatness’, a concept that he identified closely with the production of collective trauma.

The danger inherent in this, of course, is that emotional resonance is often a poor guide to explanatory power.

MAY THE TWADDLE BE WITH YOU:

The Birth of Yoda: Manichaeism and the Jedi Religion (Joseph Wilson5/04/24, Voegelin Views)

Jediism now has real-life adherents (whether serious or otherwise) and one modern UK census (2011) revealed that Jedi was the seventh largest religion in that kingdom, dwarfing British Scientology (another so-called “religion” founded by a science-fiction auteur).


In Jediism, world-mythology merges with adventure and fantasy fiction, combining Akira Kurosawa’s Buddhist and samurai themes with J.R.R. Tolkien’s Christian allegories. A historical Buddhist master is the most likely model for Yoda. We can only guess which varied influences account for Yoda’s extreme longevity. Biblical Methuselah lived more than 900. Tolkien’s Gandalf lived more than 2000. The historical second-century Buddhist patriarch Nagarjuna lived to more than 700 (according to legend). Padmasambava (Tibet’s “second Buddha”) allegedly dissolved like a Jedi into a rainbow body of light. The oldest attested ending of the oldest attested Christian gospel (the “short” ending of the Gospel according to Mark) depicts Jesus of Nazareth simply disappearing from his tomb with the witnesses running scared.


British Jedis might outnumber Scientologists, but Lucas was not the first savant to forge a universalizing hybrid religion. Yoda’s esoteric roots are ancient. Yoda’s very name may in fact be derived from an obscure Christianization of the name “Bodhisattva” (lit: “Enlightenment Being” a.k.a. one who will attain Buddhahood), distorted in transit to Christian Europe on the trade routes, and preserved among the various Buddhist and Christian scriptures sacred to a different ancient religion: Manichaeism.
Gnosticism and Manichaeism: Religion of Light


Tolkien’s “Catholic myth”, Lord of the Rings, deeply influenced Star Wars. Tolkien’s wizard Gandalf seems to be one of Lucas’s primary models for Obi Wan Kenobi. Paralleling Kenobi’s ill-fated duel with the Sith Lord Vader on the Death Star, Gandalf also died in single combat against an enemy clothed in shadow (the Balrog Durin’s Bane who lived in the Mines of Moria). He was later resurrected and arrived during the crucial battle scene, having been transformed into a luminous white form. His triumphal return to aid the war effort proved decisive at the battle of Helm’s Deep, just as Kenobi’s transcendent Force Ghost proved to be Luke Skywalker’s decisive aid at the Battle of Yavin.


Nonetheless George Lucas’ homage to Tolkien is clearly Gnostic, not Catholic or Orthodox or Protestant. (“Gnostic”, referring to esoteric knowledge, is a somewhat controversial umbrella term for various early Judeo-Christian heresies most of which can be characterized as “anti-materialist”). At the conclusion of Return of the Jedi, the luminous resurrection of three deceased Jedis (Yoda, Obi Wan Kenobi and Anakin Skywalker) differs from mainstream Christianity’s tenet of material/bodily resurrection. It instead conforms closely to Gnosticism’s non-material/spiritual resurrection. The Force Ghost is pure light/energy, not “crude matter.” The overtly Gnostic implications of Jedi resurrection have been known to trouble Christian apologist Star Wars fans. The similarity between Jediism and Gnosticism runs deep.

THE HORROR, THE HORROR:

Dune and progressive media illiteracy (Jaimee Marshall, 3 May, 2024, The Critic)

Dune is no exception to this baffling media illiteracy. There has been no shortage of op-eds released in recent years disparaging Frank Herbert’s novel and Denis Villeneuve’s film adaptations as an orientalist white saviour story that simultaneously culturally appropriates Middle Eastern culture while erasing representations of its people. These criticisms ring hollow if you engage with the story in any thoughtful manner. Dune cannot be accurately characterised as a white saviour story when its explicit thesis is that we should be wary of self-appointed saviours, of charismatic leaders who claim a benevolent desire to liberate people from their oppression, regardless of their race.

In an interview with Vanity Fair, Denis Villeneuve said, “When the first novel came out, Frank Herbert was disappointed by the way the book has been perceived. We felt that the readers were thinking that Dune was a celebration of Paul Atreides, but rightly the opposite. His intentions were to make a cautionary tale, a warning towards messianic figures.” This caused Herbert to write a follow-up book called Dune: Messiah, where the dangers of blind allegiance are spelled out more clearly. In Villeneuve’s film adaptation, he transformed Chani’s character into a more prominent, sceptical, and outspoken character. “Through her eyes, we understand what Paul becomes and in which direction he goes, which transformed the movie not into a celebration but as Frank Herbert was wishing, more of a warning,” Villeneuve explains. Chani becomes the moral centre that the audience identifies with, which awakens them to the warning signs of what Paul is about to become.

THE DOOR IS WIDE OPEN:

Lost Angel: The Genius of Judee Sill (Pat Padua, 4/17/24, Spectrum Culture)

With her sordid life and angelic voice, Sill is a fantastic subject, and as suits a figure who, with the evidence of her lyrics and her life, regularly conversed with angels and demons both, her muse was to some degree developed in juvenile court. She played church organ while she was in reform school, and that developed her taste for Bach which informed her songwriting and orchestral imagination. Among the interviews with peers like David Crosby and Jackson Browne, critic Tim Page plays something like the role Jonathan Richman played in Todd Haynes’ The Velvet Underground. He joyfully demonstrates the musicality behind his favorite track, “The Lamb Ran Away with the Crown,” and Page is mystified over why it wasn’t a huge hit. Even if you’re new to her music, you will be too.

Yet as Crosby notes, Sill had a reputation for being “fierce”; she knew what she wanted in the studio and, in fact, conducted her own orchestrations. Linda Ronstadt explains that the only other musician during that era with similar musical chops was Brian Wilson. In a marriage of the scared and the profane, Sill informed her folk music with classical structure and beer-barrel boogie, with lyrics that were searching and religious. This outlaw was repentant; she reveled in her transgressions but was just as fervent about the possibility of redemption. She battled demons as deeply as she embraced them and considered it more courageous to fight them. She could play like the devil, and as Natalie Mering, aka Weyes Blood, candidly points out, Sill was not conventionally attractive, but her music seemed to come out of some gorgeous fount.

IT’S LONG COVID:

Britain Is Leaving the U.S. Gender-Medicine Debate Behind: The Cass report challenges the scientific basis of medical transition for minors. (Helen Lewis, 4/14/24, The Atlantic)

The report drew on extensive interviews with doctors, parents, and young people, as well as on a series of new, systematic literature reviews. Its publication marks a decisive turn away from the affirmative model of treatment, in line with similar moves in other European countries. What Cass’s final document finds, largely, is an absence. “The reality is that we have no good evidence on the long-term outcomes of interventions to manage gender-related distress,” Cass writes. We also don’t have strong evidence that social transitioning, such as changing names or pronouns, affects adolescents’ mental-health outcomes (either positively or negatively). We don’t have strong evidence that puberty blockers are merely a pause button, or that their benefits outweigh their downsides, or that they are lifesaving care in the sense that they prevent suicides. We don’t know why the number of children turning up at gender clinics rose so dramatically during the 2010s, or why the demographics of those children changed from a majority of biological males to a majority of biological females. Neither “born that way” nor “it’s all social contagion” captures the complexity of the picture, Cass writes.

What Cass does feel confident in saying is this: When it comes to alleviating gender-related distress, “for the majority of young people, a medical pathway may not be the best way to achieve this.”

CROSSING OVER:

Harry Burleigh’s “Deep River” of Common Humanity on NPR (Joe Horowitz, 4/13/24, Unanswered Questions)

If you’ve ever heard Marian Anderson sing “Deep River,” you’ve heard an immortal concert spiritual by Harry Burleigh. His name won’t appear on the youtube captions – and yet Burleigh’s “Deep River” isn’t a mere arrangement.

I unpack the genesis of “Deep River” – its surprising origins as an obscure “church militant” spiritual, its indebtedness to Antonin Dvorak, its subsidiary theme composed by Burleigh himself – on the most recent “More than Music” feature on NPR: “’Deep River’: The Art of Harry Burleigh.” The performances (other than Marian Anderson’s) were recorded in concert by the exceptional African-American baritone Sidney Outlaw. It was my pleasure to be the pianist.

The show argues that Burleigh was a major creative force – more than the pivotal transcriber of spirituals as concert songs. In particular, we present his final art song – “Lovely, Dark, and Lonely One”(1935) – as his valedictory: not merely one of the supreme concert songs by an American, but an encapsulation of Burleigh’s life philosophy. It takes an eloquently impatient Langston Hughes poem, and turns it into an expression of hope and faith. “Burleigh consistently refused to participate in movements he considered separatist or chauvinistic,” writes Jean Snyder in her Burleigh biography. He believed that artists, not politicians, would most effect progressive change. “They are the true physicians who heal the ills of mankind,” he wrote. “They are the trailblazers. They find new worlds.” Our performance of this song, at Princeton University last year, is a little slower than other versions; its interior life (the climax is a pregnant silence) felt deep and true.

Burleigh’s own life story is a parable of faith: his patience was rewarded.

FADS ARE NOT MEDICINE:

How a cult captured the NHS Society fails when it treats children like adults (Kathleen Stock, APRIL 12, 2024, UnHerd)


Pity poor Dr Hilary Cass, the eminent paediatrician charged with managing an independent review of NHS gender services for young people, whose final report was published this week. Given the hair-trigger sensibilities of interested parties, she seems to have been unable to state unambiguously that now-popular treatments for young people confused or distressed by their sexed bodies are blatant quackery: keeping pre-pubescent kids in suspended chemical animation on the basis of a single, discredited study; dosing teenagers liberally with opposite-sex hormones; or — when a child reaches the tender age of 18, though even earlier in other countries — empowering her to have major body parts cut off.

Instead, time and again in Cass’s report she is forced back into the conceit that the most pressing problem for contemporary gender medicine is the lack of good evidence for such interventions either way. It is as if a modern-day medic had been tasked with reviewing the efficacy of trepanning, and then ordered to defend her findings in front of fanatical fifth-century devotees. “It’s not that drilling a hole in a child’s skull to release demons is necessarily harmful, you understand — indeed, it may be the best outcome in some cases. The main issue is the lack of long-term follow up.”

Alongside Cass’s cumulatively devastating account of reckless decision-making, poor evidential standards, and patchy record-keeping at Gids and elsewhere, a whole section of the report gently attempts to educate its readership about “the components of evidence-based medicine” — complete with basic explainers about randomised controlled trials, blinding processes, and the possibility of bias. She might as well be addressing an archaic people who have just emerged blinking from a time capsule, still convinced that disease is God’s punishment for insufficient acts of propitiation.

In a sense, though, this is indeed very like one group to whom the report is addressed: those clinicians, parents and patients immersed in bubbles of identity affirmation, and cognitively isolated from any reasoning or evidence that would confound their worldview. Perhaps unusually for a medical review, it is clear from Cass’s overtly respectful tone and at times still-euphemistic language that her aim is not just to inform these readers but also to deprogram them.

MUTILATING DEPRESSIVES:

Development of Gender Non-Contentedness During Adolescence and Early Adulthood (Pien Rawee, Judith G. M. Rosmalen, Luuk Kalverdijk & Sarah M. Burke, 2/27/24, Archives of Sexual Behavior)

Adolescence is an important period for the development of gender identity. We studied the development of gender non-contentedness, i.e., unhappiness with being the gender aligned with one’s sex, from early adolescence to young adulthood, and its association with self-concept, behavioral and emotional problems, and adult sexual orientation. Participants were 2772 adolescents (53% male) from the Tracking Adolescents’ Individual Lives Survey population and clinical cohort. Data from six waves were included (ages 11–26). Gender non-contentedness was assessed with the item “I wish to be of the opposite sex” from the Youth and Adult Self-Report at all six waves. Behavioral and emotional problems were measured by total scores of these scales at all six waves. Self-concept was assessed at age 11 using the Global Self-Worth and Physical Appearance subscales of the Self-Perception Profile for Children. Sexual orientation was assessed at age 22 by self-report. In early adolescence, 11% of participants reported gender non-contentedness. The prevalence decreased with age and was 4% at the last follow-up (around age 26). Three developmental trajectories of gender non-contentedness were identified: no gender non-contentedness (78%), decreasing gender non-contentedness (19%), and increasing gender non-contentedness (2%). Individuals with an increasing gender non-contentedness more often were female and both an increasing and decreasing trajectory were associated with a lower global self-worth, more behavioral and emotional problems, and a non-heterosexual sexual orientation. Gender non-contentedness, while being relatively common during early adolescence, in general decreases with age and appears to be associated with a poorer self-concept and mental health throughout development.

ALL COMEDY IS CONSERVATIVE:

Better a slow horse than a show horse (Jon D. Schaff, March 12, 2024, Current)

Maybe literary/philosophical figures such as Jackson Lamb, Socrates, Columbo and the rest exist to puncture our pretensions. In the specific case of those I just explicitly mentioned, the enigmatic characters exist to bring down the high and mighty, those who think they are smarter, wiser, better than everyone else. That is why each of those characters has a comic element. There is an ironic twist in, for instance, a Columbo story in which the seemingly mighty are brought low while the humble Columbo is shown to be the master of circumstances, always one step ahead of the pretentious fool who believes himself to be ahead of Columbo. This makes Columbo a comedic figure, the low man brought high. Yet, Columbo never lords over the criminal, rubbing the criminal’s face in his defeat. He mostly expresses pity that someone so obviously talented has gone so wrong.

We can draw from these characters the lesson of humility. Even Prince Hal, when he rises to Henry V, expresses doubts about his rule, agonizing over the cost of his decision to make war against France. Can we be humble in our successes? Can we avoid being the objects of the Socrates’ and Columbo’s, a person of inflated ego begging for someone to bring us down a peg? It may be better to be a slow horse than a foolish horse.