November 8, 2005

UNIPLEX:

Reconsidering the Bush Doctrine (Arnold Kling, 11/08/05, Tech Central Station)

In a complex global war, it can be useful to view the conflict as a combination of several theaters of operation. I think of this war as having three theaters: cultural, technological, and conventional military. Each theater provides a potential for victory or defeat.

The cultural theater is the contest between American values and the ideology of what Gingrich calls the irreconcilable wing of Islam. We could win in the cultural theater if Muslim moderates were to assert themselves strongly, so that the radical wing shrinks and loses viability. On the other hand, our society has its own internal divisions and weaknesses. We can lose in the cultural theater if our fighting spirit gives way to feckless appeasement. Another possibility would be for the majority of the world's Muslims to become radicalized, while the Western democracies coalesce in self-defense. That would set the stage for spectacular bloodshed.

The technological theater is one where each side has the potential to alter the balance of power in a dramatic way. We would win in the technological theater if we were to establish Surveillance Supremacy, meaning the ability to track with confidence the movement and threat potential of terrorists. We would lose in the technological theater if terrorists are able to deploy weapons of mass destruction on American soil.

The conventional military theater is the set of places where Americans and others in the "coalition of the willing" are fighting Islamic militants. In addition, Victor Davis Hanson identifies four countries -- Iran, Saudi Arabia, Pakistan, and Syria -- that are potentially in the conventional military theater, because their governments have an attitude toward terrorists that is ambivalent, to say the least. We can win in the conventional military theater if we kill a large proportion of terrorists and deny them access to funding, supplies, and training. We can lose in the conventional military theater if terrorists are able to carry out major operations routinely without effective disruption.

In the cultural theater, we are trying to change the attitudes and behaviors of Muslims around the world. The Bush Doctrine focuses on using democracy as the lever to achieve such change. Supporters of the Mush Doctrine believe that America can, by playing more nicely in the international schoolyard, achieve victory in the cultural theater.

My question about strategies focused on the cultural theater is this: Even assuming that we choose the best strategies and they work as well as one could possibly hope, when is the soonest that we could expect victory? 2040? 2050?


Actually, the interesting thing about the Cold War is that focussing on the latter two made the war drag on for fifty years, while a simple shift to culture war ended it reasonably rapidly. It was when Ronald Reagan declared that the Soviet Union was not onluy not a peer but could not ever function well enough to provide decent lives for its people that the tectonic plates shifted. The Middle East is shifting for the same reason and will continue to do so--the recognition that only Western-style liberal democracy, though with an Islamic flavor, can ameliorate the various social pathologies plaguing the Middle East.

Posted by Orrin Judd at November 8, 2005 6:48 PM
Comments

The Bush Doctrine is simply the only road to peace not only in the Middle East, but worldwide. After a half century and more of socialism and brutal dictatorship in one country after the other, the result has been grinding poverty and tens of millions dead. Only in the new and improved Anglosphere is there anything like peace and prosperity.

France is getting a chance to be a player on the world stage again. They can lead the way to “normalcy” by establishing law and order, or they can do what they’ve always done, sell out the figurative orphans to the Nazis -- again.

My money is on the latter.

Posted by: Color me Terrified at November 9, 2005 7:07 AM
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