FROM THE ARCHIVES: IT'S NOT CALLED "MAYBE A MESSIAH":

Unsettling History of That Joyous 'Hallelujah' (MICHAEL MARISSEN, 4/08/07, NY Times)

IN New York and elsewhere a "Messiah Sing-In" -- a performance of Handel's oratorio "Messiah" with the audience joining in the choruses -- is a musical highlight of the Christmas season. Christians, Jews and others come together to delight in one of the consummate masterpieces of Western music.

The high point, inevitably, is the "Hallelujah" chorus, all too familiar from its use in strange surroundings, from Mel Brooks's "History of the World, Part 1," where it signified the origins of music among cavemen, to television advertising for behemoth all-terrain vehicles.

So "Messiah" lovers may be surprised to learn that the work was meant not for Christmas but for Lent, and that the "Hallelujah" chorus was designed not to honor the birth or resurrection of Jesus but to celebrate the destruction of Jerusalem and the Second Temple in A.D. 70. For most Christians in Handel's day, this horrible event was construed as divine retribution on Judaism for its failure to accept Jesus as God's promised Messiah. [...]

With Old Israel supposedly rejected by God and its obsolescence long before ensured, why did 18th-century writers and composers rejoice against Judaism at all, whether explicitly or, as here, implicitly? There must have been some festering Christian anxiety about the prolonged survival of Judaism: How could a "false" religion last so long? Might Judaism somehow actually be "true"?

These issues were a matter of life and death, says Jennens's key guide, Kidder's tome: "If we be wrong in dispute with the Jews, we err fundamentally, and must never hope for salvation. So that either we or the Jews must be in a state of damnation. Of such great importance are those matters in dispute between us and them."

This would represent ample motivation for the text and musical setting of "Messiah" to engage these issues and would perhaps help explain any lapse from decent Christian gratitude into unseemly rejoicing in the "Hallelujah" chorus.

While still a timely, living masterpiece that may continue to bring spiritual and aesthetic sustenance to many music lovers, Christian or otherwise, "Messiah" also appears to be very much a work of its own era. Listeners might do well to ponder exactly what it means when, in keeping with tradition, they stand during the "Hallelujah" chorus.

It means the Jews are wrong. But that doesn't effect their status as the Chosen. Jesus just made Jews of us gentiles.

[originally posted 4/08/07]

Posted by oj at April 20, 2014 12:02 AM
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