DESPITE SOME SKETCHY FLETCHING:

Is Humanism a Religion? (G.K. Chesterton, 1929, The Thing)

Modern science and organization are in a sense only too natural. They herd us like the beasts along lines of heredity or tribal doom; they attach man to the earth like a plant instead of liberating him, even like a bird, let alone an angel. Indeed, their latest psychology is lower than the level of life. What is subconscious is sub-human and, as it were, subterranean: or something less than earthly. This fight for culture is above all a fight for consciousness: what some would call self-consciousness: but anyhow against mere subconsciousness. We need a rally of the really human things; will which is morals, memory which is tradition, culture which is the mental thrift of our fathers.

The fact is this: that the modern world, with its modern movements, is living on its Catholic capital. It is using, and using up, the truths that remain to it out of the old treasury of Christendom; including, of course, many truths known to pagan antiquity but crystallized in Christendom. But it is not really starting new enthusiasms of its own. The novelty is a matter of names and labels, like modern advertisement; in almost every other way the novelty is merely negative. It is not starting fresh things that it can really carry on far into the future. On the contrary, it is picking up old things that it cannot carry on at all. For these are the two marks of modem moral ideals. First, that they were borrowed or snatched out of ancient or mediaeval hands. Second, that they wither very quickly in modern hands.

Mr. Norman Foerster's book, American Criticism might almost have been meant for a text-book to prove my point. I will begin with a particular example with which the book also deals. My whole youth was filled, as with a sunrise, with the sanguine glow of Walt Whitman. He seemed to me something like a crowd turned to a giant, or like Adam the First Man. It thrilled me to hear of somebody who had heard of somebody, who saw him in the street; it was as if Christ were still alive. I did not care about whether his unmetrical poetry were a wise form or no, any more than whether a true Gospel of Jesus were scrawled on parchment or stone. I never had a hint of the evil some enemies have attributed to him; if it was there, it was not there for me. What I saluted was a new equality, which was not a dull levelling but an enthusiastic lifting; a shouting exultation in the mere fact that men were men. Real men were greater than unreal gods; and each remained as mystic and majestic as a god, while he became as frank and comforting as a comrade. The point can be put most compactly in one of Whitman's own phrases; he says somewhere that old artists painted crowds, in which one head had a nimbus of gold-coloured light; "but I paint hundreds of heads, but paint no head without its nimbus of gold-coloured light." A glory was to cling about men as men; a mutual worship was to take the form of fellowship; and the least and lowest of men must be included in this fellowship; a hump-backed Negro half-wit, with one eye and homicidal mania, must not be painted without his nimbus of gold-coloured light. This might seem only the final expansion of a movement begun a century before with Rousseau and the Revolutionists; and I was brought up to believe and did believe that the movement was the beginning of bigger and better things. But these were songs before sunrise; and there is no comparison between even sunrise and the sun. Whitman was brotherhood in broad daylight, showing endless varieties of radiant and wonderful creatures, all the more sacred for being solid. Shelley had adored Man, but Whitman adored Men. Every human face, every human feature, was a matter of mystical poetry, such as lit like chance torchlight, hitherto, a face here and there in the crowd. A king was a man treated as all men should be treated. A god was a man worshipped as all men should be worshipped. What could they do against a race of gods and a republic of kings; not verbally but veritably the New World?

Here is what Mr. Foerster says about the present position of the founder of the new world of democracy: "Our present science lends little support to an inherent 'dignity of man' or to his 'perfectibility.' It is wholly possible that the science of the future will lead us away from democracy towards some form of aristocracy. The millennial expectations that Whitman built upon science and democracy, we are now well aware rested upon insecure foundations... The perfection of nature, the natural goodness of man, 'the great pride of man in himself' offset with an emotional humanitarianism — these are the materials of a structure only slightly coloured with modernity. His politics, his ethics, his religion belong to the past, even that facile 'religiousness' which he hoped would suffuse and complete the work of science and democracy... In the essentials of his prophecy, Whitman, we must conclude, has been falsified by the event." This is a very moderate and fair statement; it would be easy to find the same thing in a much fiercer statement. Here is a monumental remark by Mr. H.L. Mencken: "They (he means certain liberal or ex-liberal thinkers) have come to realize that the morons whom they sweated to save do not want to be saved, and are not worth saving." That is the New Spirit, if there is any New Spirit. "I will make unconquerable cities, with their arms about each other's necks," cried Walt Whitman, "by the love of comrades, by the lifelong love of comrades." I like to think of the face of Mr. Mencken of Baltimore, if some casual comrade from Pittsburgh tried to make him unconquerable by putting an arm around his neck. But the idea is dead for much less ferocious people than Mr. Mencken. It is dead in a man like Aldous Huxley, who complained recently of the "gratuitous" romancing of the old republican view of human nature. It is dead in the most humane and humorous of our recent critics. It is dead in so many wise and good men to-day, that I cannot help wondering whether, under modern conditions of his favourite "science," it would not be dead in Whitman himself.

It is not dead in me. It remains real for me, not by any merit of mine, but by the fact that this mystical idea, while it has evaporated as a mood, still exists as a creed. I am perfectly prepared to assert, as firmly as I should have asserted in my boyhood, that the hump-backed and half-witted Negro is decorated with a nimbus of gold-coloured light. The truth is that Whitman's wild picture, or what he thought was a wild picture, is in fact a very old and orthodox picture. There are, as a matter of fact, any number of old pictures in which whole crowds are crowned with haloes, to indicate that they have all attained Beatitude. But for Catholics it is a fundamental dogma of the Faith that all human beings, without any exception whatever, were specially made, were shaped and pointed like shining arrows, for the end of hitting the mark of Beatitude. It is true that the shafts are feathered with free will, and therefore throw the shadow of all the tragic possibilities of free will; and that the Church (having also been aware for ages of that darker side of truth, which the new sceptics have just discovered) does also draw attention to the darkness of that potential tragedy. But that does not make any difference to the gloriousness of the potential glory. In one aspect it is even a part of it; since the freedom is itself a glory.

It's not possible to describe better the quintessential Judeo-Christian conservative attitude that so perplexed Franklin Foer the other day.

Posted by Orrin Judd at November 28, 2004 9:02 AM