May 13, 2004
LOOK TO THE SOURCE CODE:
Liberty, Technology, Duty: Where Peace Overlaps War (EDWARD ROTHSTEIN, 5/08/04, NY Times)
Disagreements about the nature of government, culture and freedom — once matters of abstract theory — have recently become all too urgent. What sort of government is ideal? What are the connections between a culture and its ideas of freedom? And how is freedom to be balanced with the rule of law? The fates of nations at war rest on such questions.To gain some perspective it may help to turn away from the international arena and look instead at matters ordinarily left for specialists: issues involving copyright law, intellectual property and open-source computer software, issues that seem far removed from Falluja. Yet now in courtrooms, in scholarly books and in popular tracts it can seem as if similar things are being debated.
For what is at stake in this more placid arena other than questions of ownership and concepts of liberty and obligation? And aren't the stakes high here as well, particularly as technological innovations make possible a universe in which everything can be copied and anything goes as well as a universe in which everything is controlled and nothing is permitted?
To many critics of copyright, the parallels are clear. Discussions of students being prosecuted for downloading MP3 files or of communally revised software being made freely available can lead to comparisons with antiglobalization protests or to advocacy of multilateralism in a new world order. Copyright law, technology and political culture seem to raise related issues.
For some, in fact, they can even become apocalyptic. "We are less and less a free culture," declares Lawrence Lessig, a professor at Stanford Law School, in his new book, Free Culture: How Bad Media Uses Technology and the Law to Lock Down Culture and Control Creativity. "Wars of prohibition are nothing new in America," he says of the government crackdown on piracy. "This one is just something more extreme than anything we've seen before."
Of course they're nothing new in America, they're explicitly called for in the Constitution: "The Congress shall have power... To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries..." Posted by Orrin Judd at May 13, 2004 2:19 PM
I think Lessig's argument is that the current set of IP laws doesn't "promote the progress of science" so therefore they are NOT explicitly called for in the Constitution.
Posted by: Bret at May 13, 2004 2:37 PMI have been meeting weekly with some Linux guys and am slowly being converted to the view that, in fact, it can pay a code developer to give away his product.
But I haven't yet got to the point where I believe Joe can take John's product, even if Joe is certain that it will be good for John.
Posted by: Harry Eagar at May 13, 2004 4:56 PMThere is precedence: InstaPundit's wife made her book available as a free PDF and sales of the book went up! Don't ask me for an explanation, it's like some kind of market magic.
Posted by: jd watson at May 13, 2004 8:26 PMDo what? Steal?
They'll do that even if it doesn't pay.
If you mean, if it pays to give it away, owners will give it away, the answer -- according to my argumentative friends -- has been no.
They think the dinosaurs are stupid. Could be right.
Posted by: Harry Eagar at May 13, 2004 8:36 PMSo the dinosaurs will become extinct and whatever evolves will give it away if it pays, no?
Posted by: oj at May 13, 2004 8:47 PM"...limited times..."
Isn't there enough penumbra and emanations there for even a Mickey Mouse to see?
Posted by: jsmith at May 13, 2004 11:21 PMCurrent copyright and patent law are becoming an impediment to advancement. The speed at which new ideas can be integrated is slowed by the absurd 17 year monopoly.
Both writing, art, music and inventions should be limited to 2 years monopoly. Then it should be public domain.
I can actually make a great case for this, but it would take 30 -40 pages. For a start google a recent Intellectual property article in Forbes.
It has to change.
Posted by: BB at May 14, 2004 12:40 AMMake any case at all. Why should Robert Caro's next volume of his LBJ bio, which he's taken decades to write, be public domain after two years?
Posted by: oj at May 14, 2004 12:49 AMYou know, OJ, given that you excerpt large sections or even most of many copyrighted articles everyday in your blog, I'd say you're on shaky ground when trying to make a convincing argument for strong copyright and intellectual property laws. :-)
Also, you have to look at the overall creativity, productivity, and benefit. To present one or even a thousand examples of where copyright provides overall benefit doesn't imply in any way that our current set of IP laws are optimal or even close to beneficial overall.
Posted by: Bret at May 14, 2004 1:07 AMOne of the main purposes of establishing a copyright for limited times was to prevent a hereditary sinecure on the ownership of literary works.
But what has happened is that each time Mickey Mouse's copyright nears expiration, Disney pushes Congress to pass a bill to boost copyrights up another 15-20 years. The last two examples being the Copyright Act of 1976 and the Sonny Bono Copyright Term Extension Act of 1998. The latter extends copyrights to the life of the author plus 70 years (and 95 years for corporate ownership). Mickey Mouse is now safe until 2015.
Copyright was meant to give an author a chance to earn reasonable compensation for his during his lifetime. The shenanigans with perpetual copyright extensions have gutted the original intent of the founding fathers.
Bret:
Rule #5 is never most:
"(5) Try--though I'm bad about this myself--to only quote about three paragraphs, or no more than a third, of any story you blog. We want folks to go read it at the site that owns it. But if you need to use more to make the excerpt make sense, no problem."
we also always provide a link and never (almost never?) post content that folks charge for--an example being Wall Street Journal stories.
But blogs are illustrative. After some initial resistance editors and authors pretty quickly realized that blogs were too minor to steal their audience, but reasonably effective at driving some readers their way. So we have a number of editors and authors who write to us asking us to post their stuff precisely because people seeing it here will go there.
If it pays folks will be willing to forego strict copyright protection.
Posted by: oj at May 14, 2004 8:20 AMGideon:
Mickey is the very basis of their business. Sure, the Steamboat Willie films should be out from under copyright protection, but why Mickey himself?
Posted by: oj at May 14, 2004 8:22 AMHard to believe that stealing CD tracks for personal use enhances the overall economy.
I hope that my Wednesday group gets something together on their blog that I can then ask Orrin to link up.
Their discussion is way better than what's here, but too long to put in a post, and, besides, I'm not sure I understand all the nuances yet.
Posted by: Harry Eagar at May 14, 2004 3:12 PMHarry:
All of the studios I've seen show that downloading of songs does indeed drive the popularity and sales of groups. That's why many make tracks available on their own sites.
Why not start your own blog and stop being a troll here?
Posted by: oj at May 14, 2004 3:21 PM