December 20, 2002

IN MIDDLE EARTH--A FIGHT TO THE FINNISH:

Lord of the Rings Inspired by an Ancient Epic (Brian Handwerk, December 18, 2002, National Geographic News)
The Kalevala inspired not only Finnish nationalism, but also a young English scholar and writer named J.R.R. Tolkien, in whose mind was already taking shape a magical universe which was about to be transformed by Finnish language and legend.

In a letter to W.H. Auden, on June 7, 1955, he remembered his excitement upon discovering a Finnish Grammar in Exeter College Library. "It was like discovering a complete wine-cellar filled with bottles of an amazing wine of a kind and flavour never tasted before. It quite intoxicated me; and I gave up the attempt to invent an 'unrecorded' Germanic language, and my 'own language'—or series of invented languages—became heavily Finnicized [sic] in phonetic pattern and structure."

The Finnish language that so delighted the young student became the inspiration for the lyrical tongue of Middle-earth's elves. Tolkien taught himself the ancient and newly codified Finnish to develop his elfin language, and so that he could read the Kalevala in its original Finnish. This extraordinary achievement opened the door to many further influences from Finnish mythology. Parallels abound between the Kalevala and Tolkien's own saga, in terms of both the characters themselves and the idea of the hero's journey.

The Kalevala features "all the themes of pre-Christian traditions, shape-shifting, mythical demons, magical plants, animals becoming human beings," says Davis, while the story itself "is fundamentally a story of a sacred object which has power, and the pursuit of the mythic heroes who seek that power, to seek a way of understanding what that power means." Davis describes the Kalevala as "a journey of the soul and a journey of the spirit—and that's obviously what drew Tolkien to it."

Tolkien readers have long seen Tolkien's bucolic vision of rural England represented in Middle-earth's The Shire, and recognized English farmers in characters such as the hobbit Sam. But those who explore the Kalevala may discover much of the land of the elves, and their language, in the vast snowy spruce forests of Finnish legend.


One of the things that makes Tolkien so remarkable is the texture of his tale, so that when even a secondary or tertiary character wanders into the plot you know he has a history, a language, a culture, etc. He may be the only modern author to create a mythos that can stand with those of the ancients. Posted by Orrin Judd at December 20, 2002 10:39 AM
Comments

I got about 20 pages into the Hobbit and gave up. Boring.



Later, I read Tolkien's published correspondence, looking for a hint of what made the books so compelling to people who, in general, are my cup of tea.



Except for the very late survival of Mercian particularism, which amused me, I didn't get any such hints.



Last month, I watched the first movie installment. I still don't get it.



The characters may be well-rounded (though I sure

didn't get that out of the movie), but the premise -- evil as a physical thing -- is way too OT for a rationalist like me.

Posted by: Harry at December 23, 2002 6:10 PM
« IF YOU READ NOTHING ELSE TODAY: | Main | OUR CULTURAL REVOLUTION: »