NO ONE HATES JUST MEXICANS:

Ms. Farmer moved to New York in 1993, eager to pursue her passion for art, and enrolled at the New York Academy of Art.

She already had a specialty, exploring figures of nudes and adolescents, and had a chance to train under one of her idols, the painter and sculptor Eric Fischl. One of her paintings was done in a voyeuristic style, showing a man in the frame of a doorway looking at a woman on a sofa -- a painting she said was inspired by Edgar Degas' famous piece, "Interior," which is sometimes known as "The Rape."

At a gallery show for her graduation, Ms. Farmer said, the dean of the academy, Eileen Guggenheim, introduced her to Mr. Epstein and Ms. Maxwell, and told her to sell them the painting with the man in the doorway at a discount. (Ms. Guggenheim said she did not recall such an interaction.)

Afterward, Ms. Farmer said, Mr. Epstein called her to offer her a job acquiring art on his behalf, and later managing the entrance to a townhouse he was renovating.

There, at the age of 25, she was introduced to Mr. Epstein's odd life, with girls and young women coming through for what she recalled Ms. Maxwell describing as modeling auditions for the lingerie retailer Victoria's Secret. The house at times bustled in anticipation of potential visits from Bill Clinton, although she never actually saw him there.

She said she met Donald Trump one day in Mr. Epstein's office, recalling Mr. Trump eyeing her before Mr. Epstein informed him that "she's not for you." Ms. Farmer's mother, Janice Swain, recalled her daughter detailing the interaction with Mr. Trump around the time it occurred.

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