October 13, 2018

CRIMINALS ARE A SUPERSTITIOUS COWARDLY LOT:

God Bless You, Frank Miller (BRADLEY J. BIRZER, October 8, 2018, American Conservative)

Born in 1957 to Irish-American Roman Catholics, Miller grew up in Vermont, one of seven children.  From about age five, he fell head over heels in love with comics, and his parents encouraged and nurtured this passion. At times, he found his early adult careers on the edge of derailment. Finishing high school because of the advice of his parents, Miller tried his hand at janitorial work, at transporting goods in trucking, and at driving buses.  Every boss he had prior to entering the field of comics fired him.

In the late 1970s, as he lost job after job, he began to study with the then-best artist in the comic world, Neal Adams. After working at Gold Key comics and on lesser-known titles at DC, Miller moved to Marvel and soon took over the then nearly-defunct character, Daredevil. Much to the surprise of all at Marvel and in the comic world, Miller wrote what is now considered the definitive Daredevil, an anguished and blind Matt Murdock who regularly seeks the sacrament of Confession, confiding in his parish priest, as he wonders just how far he can fight in the name of vigilante justice.  With Miller as writer, Daredevil went from being relatively obscure to being one of Marvel's finest, most nuanced, and popular comics. After working on his independent cyberpunk comic and hero for DC, Ronin, Miller then moved to Batman. Miller not only revived the then-failing character but, along with Alan Moore and his The Watchman, but revitalized the entire comic industry, then on the edge of bankruptcy.

An avowed gnostic, a Leftist, and a seemingly particular person, Alan Moore soon left the industry in boredom and disgust, but Miller stuck with it. A monumentally determined perfectionist, Miller kept his politics much closer to his chest than had Moore, though his quietly expressed views almost always embraced a kind of Goldwater libertarianism.  Trying to improve his writing, Miller also read and studied like mad. Not surprisingly, he has read everything from Dashiell Hammett to Robert Heinlein to Christopher Lasch, and he has studied Japanese and European comic styles. Restless and curious to the nth-degree, he became an amateur anthropologist as he traveled throughout Asia and the Near east, observing everything from cultural norms to speech patterns to the shades of light hitting the landscape.

His reading and traveling, combined with his love of cinema, seeing everything from Hitchcock to Dirty Harry, Miller honed his own art--in drawing and writing--to write modern myth, centering around the hero and anti-hero, around good and evil, and around beauty and chaos.

If understood properly, Miller persuasively argued, heroes bring us back to first principles of "right and wrong."

"I love heroes, I believe in heroism. I also adore fantasy, and so I'm drawn back to these superheroes," Miller explained in October 2016. "Their mythology is open to infinite expansion, and the basic myth is irresistible. They got so much right in that first Superman movie, down to the tagline "you'll believe a man can fly. That's our job."

His explicit goal has always been "to do heroic adventures without compromise."  Too much of modern culture, he complains in the vein of Russell Kirk and C. Wright Mills, has become nothing but conformist drivel, with movies, television shows, and comic books serving the public at large as heavy "sedatives." Instead, we need the Batmans and Dirty Harry's to bring the "wrath of God" down upon the murderers, rapists, and tyrants of the world. The world desperately needs morality, order, and myth.

Posted by at October 13, 2018 4:14 AM

  

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