December 29, 2011
TOO ENTITLED TO PAY FOR THE EXTERNALITIES:
Between the Lines: That prized garage space or curbside spot you've been yearning for may be costing you--and the city--in ways you never realized. A journey into the world of parking, where meter maids are under siege, everybody's on the take, and the tickets keep on coming (Dave Gardetta, 12/1/2011, Los Angeles Magazine)
Anyone scanning Disney Hall's debut calendar in the fall of 2003 would have noticed the size of that first season's schedule, 128 shows in all. That's a weighty number for a new hall--one might have assumed it was chosen by venue management wanting the gravitas of a world-class chamber's arrival or perhaps seeking a broad spectrum of music that could reflect the diverse city. Those guesses would have been wrong. Disney Hall had been built atop Parcel K, a county-owned square of land on Bunker Hill that long had sat empty, awaiting development. For decades Parcel K served a prosaic function: It was a parking lot. Commercial landowners like parking lots; they generate cash until better economic conditions arrive, and blank space can be converted into a more profitable moneymaking device--typically a building. The practice is called "land banking."Yet before an auditorium could be raised on K, a six-floor subterranean garage capable of holding 2,188 cars needed to be sunk below it at a cost of $110 million--money raised from county bonds. Parking spaces can be amazingly expensive to fabricate. In aboveground structures they cost as much as $40,000 apiece. Belowground, all that excavating and shoring may run a developer $140,000 per space. The debt on Disney Hall's garage would have to be paid off for decades to come, and as it turned out, a minimum schedule of 128 annual shows would be enough to cover the bill. The figure "128" was even written into the L.A. Philharmonic's lease. In 2003, Esa-Pekka Salonen opened Frank Gehry's masterpiece to a packed house with Mahler's Resurrection, and in the years since, concertgoers--who lay out $9 to enter the garage--have steadily funded performances that exist to cover the true price of their parking.Donald Shoup, a Yale-trained economist and former chair of UCLA's Department of Urban Planning, loves telling this story. Gehry's auditorium may be wonderful, says Shoup, but it is also a fine example of poor planning. The garage--designed to serve the public good--instantly made the Metro immaterial to concertgoers, placed several thousand cars on the road every week, and pumped a few hundred tons of carbon dioxide into the atmosphere each year. Like any parking lot entrance, the one on Bunker Hill sucked air from street life. "L.A.," says Shoup, "required 50 times more parking under Disney Hall than San Francisco would allow at their own hall." Downtown already had an oversupply of garages and lots where music fans could leave their cars. "After a concert in San Francisco," says Shoup, "the streets are full of people walking to their cars, eating in restaurants, stopping into bars and bookstores. In L.A.? The bar next door at Patina is a ghost town." Receipts that should have gone to the philharmonic's endowment instead are funding enough parking for nearly every ticket holder to park a car every night downtown.L.A. has been a wellspring for a parking guru like Shoup to become self-realized. Our downtown contains more parking spaces per acre than any other city in the world and has been adding them at a rate of about 1,000 a year for a century. If you grew up here, the earliest and most essential phrase drilled into you by adults--"Remember, we're in blue Mickey"--was uttered in a parking lot bigger than Disneyland itself. Angelenos can immediately recognize outsiders, lost souls seen wandering through parking garages with no memory of where the Corolla sits. We valet at Macy's and at the dentist, at Christmas parties and Oscar shindigs: When Bob Shaye, head of New Line Cinema, threw a party to celebrate The Lord of the Rings in 2004, 900 cars showed up on his cul-de-sac. Shaye had the chaparral lot across the street paved to park them all. L.A. can claim the nation's first LEED-certified parking garage (Santa Monica Civic Center), and we depend on other prized garages to plan our day's pilgrimage--Santa Monica (2nd and Colorado, of course), Beverly Hills (Canon and Beverly), Pasadena (Fair Oaks and Green). We dream up complicated strategies to clinch the choicest spot at the curb, and we rely on parking reservations to get on the studio lot, parking passes when returning to our jobs, parking permits to grab a street spot on our streets, and an app to find a space when we go to court to pay a parking ticket.In the United States hundreds of engineers make careers out of studying traffic. Entire freeway systems like L.A.'s have been hardwired with sensors connecting to computer banks that aggregate vehicle flow, monitor bottlenecks, explain congestion in complicated algorithms. Yet cars spend just 5 percent of their lives in motion, and until recently there was only one individual in the country devoting his academic career to studying parking lots and street meters: Donald Shoup. [...]John Van Horn, a Shoupista who edits the country's only independent parking magazine, Parking Today, was attending an Australian parking conference five years ago when a local enforcement officer shared a piece of information with him: "Let's face it, only 10 percent of parking citations ever get written." Stateside, Van Horn spoke to enforcement managers around the country, who confirmed the Aussie's remark--drivers with expired meters typically get away 90 percent of the time. Van Horn decided to conduct an experiment. "Once a month," he says, "I visited a friend who lives by the Grove on a street with permit-only parking." Van Horn parked without a city pass on each visit and by year's end had received just two tickets; he escaped without citation about 83 percent of the time. Next, Van Horn parked once a week in a Beverly Hills metered space without paying. His odds improved dramatically. In the span of a year he was cited only twice, a ticket-dodging rate of about 96 percent."If you received a ticket for every violation," says Van Horn, "you'd be yelling Parking Nazi! and Selective enforcement! Elected governments aren't ready for that outcry, so cities hold back on tickets." Yet if we evade enforcement as often as Van Horn claims, why does the sight of a ticket on the windshield unhinge our natures? "We break the law often and get away with it," he says. "Deep down inside we know that. What makes us mad is getting caught the few times we do. Ninety percent of drivers on this street got away scot-free today, but I get the ticket? That makes us crazy."Upon receiving citations, frustrated L.A. drivers have spit on parking officers, slashed their tires, attacked their cars with baseball bats, pulled them from their vehicles to beat them, and even fired handguns at officers. It's like Kabul out there. LAPD commander Michael Williams, the mayor's recent appointment to take charge of the DOT's Parking Enforcement Division, might be better equipped to deal with the assaults. His background? Counterterrorism.
Posted by Orrin Judd at December 29, 2011 7:37 AM
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