July 9, 2011
Chucho Valdes And Richard Galliano On JazzSet: North Sea Jazz Festival Sets Recorded By Radio Netherlands (Becca Pulliam, 7/08/11, NPR)
After half an hour with the stunning accordion of Richard Galliano and his quartet of name players from Cuba, West Africa and the U.S., we check out piano wonder-of-the-world Chucho Valdés from Havana. Valdés calls his eight-piece group his "big band."
The youthful Galliano (born 1950 in Cannes) taught himself to play Clifford Brown trumpet solos on the accordion. In Paris, he worked with Argentinian composer Astor Piazzolla. Inspired by Piazzolla's renewal of the tango, Galliano revived a forgotten form of turn-of-the-century Parisian dance music, the bluesy musette. He replaced the bagpipes and horns of the original musette with his accordion and a jazz rhythm section. Galliano is expansive, embracing the full romantic arc from Edith Piaf songs to Brazilian music, and most recently Bach. You forget that this instrument is rare in jazz, or that anyone except Galliano ever played it.
And then there is Chucho Valdés. Even after he lowers himself to the bench, Valdés (born 1941) is tall and direct. A glissando from Chucho makes something happen. He commands an exquisite blend of Cuban music with African roots and North American jazz. Valdés first performed in the U.S. at Carnegie Hall in the late 1970s with his Grammy-winning fusion group Irakere, with Paquito D'Rivera and Arturo Sandoval. Though he's always photographed wearing a beret, when I saw him in Montreal in 1993, he wore a New York Yankees baseball cap (before El Duque). In 1998, Valdés invited JazzSet to cover his Havana Jazz Festival, and speaking for engineer Duke Markos and myself, we have never been the same. In the early 2000s, Chucho Valdés led his quartet in a JazzSet performance from the Gilmore Festival. In every situation, a set with Chucho temporarily and momentarily resolves decades of forced separation between jazz and Cuban music.
AUDIO Posted by Orrin Judd at July 9, 2011 6:34 AM