December 20, 2008

DO YOU NOT PERCEIVE THE PROFIT?:

Don Quixote (Sir Walter Alexander Raleigh)

But Don Quixote, it may be objected, is mad. Here the irony of Cervantes finds a deeper level. Don Quixote is a high-minded idealist, who sees all things by the light of his own lofty preconceptions. To him every woman is beautiful and adorable; everything that is said to him is worthy to be heard with attention and respect; every community of men, even the casual assemblage of lodgers at an inn, is a society founded on strict rules of mutual consideration and esteem. He shapes his behaviour in accordance with these ideas, and is laughed at for his pains. But he has a squire, Sancho Panza, who is a realist and loves food and sleep, who sees the world as it is, by the light of common day. Sancho, it might be supposed, is sane, and supplies a sure standard whereby to measure his master's deviations from the normal. Not at all; Sancho, in his own way, is as mad as his master. If the one is betrayed by fantasy, the other is betrayed, with as ludicrous a result, by common sense. The thing is well seen in the question of the island, the government of which is to be entrusted to Sancho when Don Quixote comes into his kingdom. Sancho, though he would have seen through the pretenses of any merely corrupt bargainer, recognises at once that his master is disinterested and truthful, and he believes all he hears about the island. He spends much thought on the scheme, and passes many criticisms on it. Sometimes he protests that he is quite unfit for the position of a governor, and that his wife would cut a poor figure as a governor's lady. At other times he vehemently asserts that many men of much less ability than himself are governors, and eat every day off silver plate. Then he hears that, if an island should not come to hand, he is to be rewarded with a slice of a continent, and at once he stipulates that his domain shall be situated on the coast, so that he may put his subjects to a profitable use by selling them into slavery. It is not a gloss upon Cervantes to say that Sancho is mad; the suggestion is made, with significant repetition, in the book itself. "As the Lord liveth," says the barber, addressing the squire, "I begin to think that thou oughtest to keep him company in the cage, and that thou art as much enchanted as he. In an evil day wast thou impregnated with his promises, and it was a sorrowful hour when the island of thy longings entered thy skull."

So these two, in the opinion of the neighbours, are both mad, yet most of the wisdom of the book is theirs, and when neither of them is talking, the book falls into mere commonplace. And this also is many times recognised and commented on in the book itself. Sometimes it is the knight, and sometimes the squire, whose conversation makes the hearers marvel that one who talks with so much wisdom, justice, and discernment should act so foolishly. Certainly the book is a paradise of delightful discourse wherein all topics are handled and are presented in a new guise. The dramatic setting, which is the meaning of the book, is never forgotten; yet the things said are so good that when they are taken out of their setting they shine still, though with diminished splendour. What could be better than Don Quixote's treatment of the question of lineage, when he is considering his future claim to marry the beautiful daughter of a Christian or paynim King? "There are two kinds of lineage," he remarks. "The difference is this - that some were what they are not, and others are what they were not; and when the thing is looked into I might prove to be one of those who had a great and famous origin, with which the King, my father-in-law who is to be, must be content." Or what could be wiser than Sancho's account of his resignation of the governorship? "Yesterday morning I left the island as I found it, with the same streets, houses, and tiles which they had when I went there. I have borrowed nothing of nobody, nor mixed myself up with the making of profits, and though I thought to make some profitable laws, I did not make any of them, for I was afraid they would not be kept, which would be just the same as if they had never been made." Many of those who come across the pair in the course of their wanderings fall under the fascination of their talk. Not only so, but the world of imagination in which the two wanderers live proves so attractive, the infection of their ideas is so strong, that, long before the end of the story is reached, a motley company of people, from the Duke and Duchess down to the villagers, have set their own business aside in order to take part in the make-believe, and to be the persons of Don Quixote's dream. There was never any Kingdom of Barataria; but the hearts of all who knew him were set on seeing how Sancho would comport himself in the office of Governor, so the Duke lent a village for the purpose, and it was put in order and furnished with officers of State for the part that it had to play. In this way some of the fancies of the talkers almost struggle into existence, and the dream of Don Quixote makes the happiness it does not find.

Nothing in the story is more touching than the steadily growing attachment and mutual admiration of the knight and the squire. Each deeply respects the wisdom of the other, though Don Quixote, whose taste in speech is courtly, many times complains of Sancho's swarm of proverbs. Each is influenced by the other; the knight insists on treating the squire with the courtesies due to an equal, and poor Sancho, in the end, declares that not all the governments of the world shall tempt him away from the service of his beloved master. What, then, are we to think, and what does their creator think, of those two mad- men, whose lips drop wisdom? "Mark you, Sancho," said Don Quixote, "there are two kinds of beauty - one of the soul, and another of the body. That of the soul excelleth in knowledge, in modesty, in fine conduct, in liberality and good breeding; and all these virtues are found in, and may belong to, an ugly man... I see full well, Sancho, that I am not beautiful, but I know also that I am not deformed, and it is enough for a man of honour to be no monster; he may be well loved, if he possesses those gifts of soul which I have mentioned." Sometimes, at the height of his frenzy, the knight seems almost inspired. So, when the shepherds have entertained him, he offers, by way of thanks, to maintain against all comers the fame and beauty of the shepherdesses, and utters his wonderful little speech on gratitude:

"For the most part, he who received is inferior to him who gives; and hence God is above all, because he is, above all, the great giver; and the gifts of man cannot be equal to those of God, for there is an infinite distance between them; and the narrowness and insufficiency of the gifts of man is eked out by gratitude."

There cannot be too much of this kind of madness. Well may Don Antonio cry out on the bachelor Sampson, who dresses himself as the Knight of the Silver Moon and overthrows Don Quixote in fight:

"O sir, may God forgive you the wrong you have done to all the world in desiring to make a sane man of the most gracious madman that the world contains! Do you not perceive that the profit which shall come from the healing of Don Quixote can never be equal to the pleasure which is caused by his ecstasies?"

What if the world itself is mad, not with the ecstasy of Don Quixote, nor with the thrifty madness of Sancho, but with a flat kind of madness, a makeshift compromise between faith and doubt? All men have a vein of Quixotry somewhere in their nature.



Posted by Orrin Judd at December 20, 2008 7:40 AM
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