THE VIRGIN JERRY:

Jerry Wexler, famed record producer, dies at 91 (Associated Press, August 15, 2008)

Wexler helped boost the careers of both the "King of Soul," Charles, and the "Queen of Soul," Franklin. Wilson Pickett, Solomon Burke and Percy Sledge were among the other R&B greats who benefited from Wexler's deft recording touch. He also produced Dusty Springfield's classic "Dusty in Memphis," considered a masterpiece of "blue-eyed" soul.

Among the standards produced by Wexler: Franklin's "Respect," a dazzling, feminist reworking of an Otis Redding song; Sledge's deep ballad "When A Man Loves A Woman" and Pickett's "In the Midnight Hour," with a horn vamp inspired by Wexler's admittedly rhythmless dancing.

Wexler was named to the Rock and Roll Hall of Fame in 1987.

"No one really knew how to make a record when I started," he said in a profile on the rock hall's Web site. "You simply went into the studio, turned on the mike and said, 'Play."

In the studio, Wexler was a hands-on producer. Once, during a session with Charles, the tambourine player was off the beat. Wexler, in his award-winning autobiography, recalled grabbing the instrument and playing it himself.

"Who's that?" asked Charles.

"Me," Wexler told the blind singer.

"You got it, baby!" Charles said.

The son of Polish immigrants and a music buff since his teens, Wexler landed a job writing for Billboard magazine in the late 1940s after serving in World War II and studying journalism in college. There he coined the term "rhythm and blues" for the magazine's black music charts; previously, they were listed under "race records."

While working at Billboard, Wexler befriended Ertegun -- a life-altering friendship for both. Ertegun and a partner had started Atlantic, then a small R&B label in New York. In 1953, when Ertegun's partner left for a two-year military hitch, Wexler stepped in as the label's co-director.

He never left.

MORE:
-PROFILE: The Immortals - The Greatest Artists of All Time: 63) Phil Spector (Jerry Wexler, Apr 22, 2005, Rolling Stone)
-OBIT: Jerry Wexler, R&B Impresario, Is Dead at 91 (BRUCE WEBER, 8/16/08, NY Times)

“He played a major role in bringing black music to the masses, and in the evolution of rhythm and blues to soul music,” Jim Henke, vice president and chief curator for the Hall of Fame, said in an interview. “Beyond that, he really developed the role of the record producer. Jerry did a lot more than just turn on a tape recorder. He left his stamp on a lot of great music. He had a commercial ear as well as a critical ear.”

Mr. Wexler was something of a paradox. A businessman with tireless energy, a ruthless streak and a volatile temper, he was also a hopeless music fan. A New York Jew and a vehement atheist, he found his musical home in the Deep South, in studios in Memphis and Muscle Shoals, Ala., among Baptists and Methodists, blacks and good old boys.

“He was a bundle of contradictions,” said Tom Thurman, who produced and directed a documentary about Mr. Wexler in 2000. “He was incredibly abrasive and incredibly generous, very abrupt and very, very patient, seemingly a pure, sharklike businessman and also a cerebral and creative genius.”

The title of Mr. Thurman’s documentary, “Immaculate Funk,” was Mr. Wexler’s phrase for the Atlantic sound, characterized by a heavy backbeat and a gospel influence. “It’s funky, it’s deep, it’s very emotional, but it’s clean,” Mr. Wexler once said.

Though not a musician himself, Mr. Wexler had a natural rapport with musicians, who seemed to recognize his instinct for how best to employ their gifts. In 1950, while he was still at Billboard, he encountered the young singer Patti Page and hummed for her a 1947 song he liked, “The Tennessee Waltz.” Her subsequent recording of it sold three million copies in eight months.

A few years later he was a partner at Atlantic, presiding over the 1954 recording session of Ray Charles’s breakout hit, “I’ve Got a Woman.” He said later that the best thing he had done for Charles was to let him do as he pleased.

“He had an extraordinary insight into talent,” Charles, who died in 2004, said in “Immaculate Funk.”

-PROFILE: Jerry Wexler: The great Atlantic Records producer gave us rhythm and blues -- as well as just about every R&B legend -- and retooled the very foundations of music producing. (Alex Halberstadt, Sep. 5, 2000, Salon)
-REVIEW: of RHYTHM AND THE BLUES A Life in American Music. By Jerry Wexler and David Ritz (Leo Sacks, NY Times Book Review

Posted by Orrin Judd at August 15, 2008 12:30 PM