December 1, 2020

ALL COMEDY IS CONSERVATIVE:

The Brilliant, Scabrous Satire of The Boys (KYLE SMITH, November 30, 2020, National Review)

The Boys is a very left-wing work that nevertheless gives right-wingers much to feast upon. The comic book on which it is based, launched in 2006 by Garth Ennis and Darick Robertson, reflects the mid-2000s Daily Kos-style paranoid fury about George W. Bush, Iraq, and the War on Terror. But in its second season, it gradually morphs into an unhinged allegory of white supremacism, anti-immigration sentiment, and, by implication, the popularity of Donald Trump. I generally find such veiled polemics to be boring in the extreme -- hectoring, shrill, monomaniacal, bonkers, and ultimately hate-fueled in their underlying assumptions. Yet The Boys is one of the most amusing shows going, a satiric machine-gun attack on a gallery of cultural icons that have richly earned their drubbing.

Posted by at December 1, 2020 12:00 AM

  

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